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Updated: June 19, 2025


Strong criticism greeted it, to which he replied with "Iphigénie en Aulide," written in 1772, and performed for the first time in Paris two years later, under the auspices of Marie Antoinette, who had once been his pupil. It was followed by "Orpheus and Eurydice," adapted from his earlier work of the same name, which met with brilliant success. In 1777 he brought out "Armide."

He was the great English trainer from Chantilly, and had tried Armide II. to win with a stone more on his back than he had to carry. "That is the horse," and Owen pointed to a big chestnut. "The third horse orange and white sleeves, black cap ... they are going now for the preliminary canter. We shall have just time to back him.

The brute omitted to add that a woman's ability to charm corresponds to her evolution. There was nothing evolved about Cassy then. She had lapsed back into the primitive. Like Armide, she could have burned the palace that enchanted her. None the less, she did nothing. To do nothing may be very important. The inactivity saved her. During it, the vitriol vaporised; the hate fell by.

My imagination was so warmed by the composition of this work that I had the strongest desire to hear it performed, and would have given anything to have seen and heard the whole in the manner I should have chosen, which would have been that of Lully, who is said to have had 'Armide' performed for himself only.

"Put me in a place where I shall not be able to hear the words," said the latter to the box-keeper; "I like Lulli's music very much, but have a sovereign contempt for Quinault's words." Lulli obliged the poet to write "Armide" five times over, and the felicity of his treatment is proved by the fact that Gluck afterward set the same poem to the music which is still occasionally sung in Germany.

To say that 'Armide' recalls the romantic grace of 'Paride ed Elena, is but half the truth. The lyrical grace of the earlier work is as it were concentrated and condensed in a series of pictures which for voluptuous beauty surpass anything that had been written before Gluck's day.

A gallant officer, Lieutenant Maine Lyons, a brother of Sir Edmund Lyons, afterwards Lord Lyons, belonging to the Rose corvette, was mortally wounded while endeavouring to tow a fire-ship in flames clear of the French Armide. Commodore Bathurst of the Genoa was also mortally wounded, after having previously been severely hurt by a splinter soon after the commencement of the action.

Yet another and quite different question: Should you be inclined to undertake in connection with "Alceste," "Orphee," "Armide," and "Iphigenia en Tauride," by Gluck, a similar task to that which you have already performed for "Iphigenie en Aulide," and what sum would you expect by way of honorarium?

Christophe was delighted. But when he looked at the bills of the Parisian theaters, he saw the names of Meyerbeer, Gounod, Massenet, and Mascagni and Leoncavallo names with which he was only too familiar: and he asked his friends if all this brazen music, with its girlish rapture, its artificial flowers, like nothing so much as a perfumery shop, was the garden of Armide that they had promised him.

Throughout the score of 'Iphigénie en Tauride' the declamation is as vivid and true as in 'Alceste, while the intrinsic loveliness of the music yields not a jot to the passion-charged strains of 'Armide. The overture paints the gradual awakening of a tempest, and when the storm is at its height the curtain rises upon the temple of Diana at Tauris, where Iphigenia, snatched by the goddess from the knife of the executioner at Aulis, has been placed as high priestess.

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