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Updated: June 19, 2025
The "Armide," French flag-ship, had left for Europe, and her relief, the "Thémis," had arrived on the station, losing several sheets of copper off her starboard bow on the passage up from Singapore. It is curious to observe the different customs of foreign sailors when sailing, homeward bound.
All his lyrical dramas are full of beauty, but "Atys," "Phaeton," "Isis," and "Armide" have been ranked the highest. "Armide" was the last of the poet's efforts, and Lulli was so much in love with the opera, when completed, that he had it performed over and over again for his own pleasure without any other auditor.
"That will be all the better," returned the abbé, "for we shall then have an 'Orlando' and also an 'Orlandino." When Gluck arrived in Paris, he brought with him the finished opera of "Armide," which was produced at the Paris Grand Opera on September 23, 1777. At first it was merely a succès d'estime, but soon became immensely popular.
Madame Malten was Armide, and she was everything that could be wished in voice, talent, style, beauty and charm. She spoke French without an accent and was as remarkable as an actress as a singer, so she would without doubt have had great success at the Opéra in Paris. She was Armide herself, an irresistible enchantress. But the rest!
Petersburg society, first as young officer, then as bureaucrat, fulfilled his duties in devotion to the beauty of many an Armide, suffering to some degree, and gaining some experience in the process. After a time his dreams and his artistic consciousness revived. He seemed to see the Volga flowing between its steep banks, the shady garden, and the wooded precipice.
The adagio of Beethoven's symphonies, certain scenes from Gluck's Alceste and Armide, an air from his Italian opera Telemacco, the Elysian fields of his Orfeo, will bring on rather bad attacks of this suffering; but these masterpieces bring with them also an antidote they make one's tears flow, and then the pain is eased. Who does not know his passion for Henrietta Smithson? It was a sad story.
This was the case with me when I saw Armide again in a city which I shall not name. The opera had been judged superannuated and had been "improved." A young composer had written a new score in which he inserted here and there such bits of Gluck as he thought worthy of being preserved. A costly and magnificently imbecile luxuriousness set off the whole piece.
She asked him one day whether he had nearly brought his grand opera of "Armide" to a conclusion, and whether it pleased him. Gluck replied very coolly, in his German accent, "Madame, it will soon be finished, and really it will be superb." There was a great outcry against the confidence with which the composer had spoken of one of his own productions.
Charles Coypel, the talented member of a talented family of painters, also made popular the heroine Armide, who seemed almost to come of the Bible, since Tasso had set her in his Christian Jerusalem Delivered. The seductive palace and entrancing gardens where Renaud was kept a prisoner, gave opportunity for fine drawing in this set. Gobelins, about 1730.
She asked him one day whether he had nearly brought his grand opera of "Armide" to a conclusion, and whether it pleased him. Gluck replied very coolly, in his German accent, "Madame, it will soon be finished, and really it will be superb." There was a great outcry against the confidence with which the composer had spoken of one of his own productions.
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