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Updated: May 3, 2025
On the other hand, have you ever heard anyone compare the voices of Lehmann, Materna, Sucher, or Malten to a bird's voice? Of course not; and the reason is obvious. The point of view is different.
Madame Malten was Armide, and she was everything that could be wished in voice, talent, style, beauty and charm. She spoke French without an accent and was as remarkable as an actress as a singer, so she would without doubt have had great success at the Opéra in Paris. She was Armide herself, an irresistible enchantress. But the rest!
It might hold a word of Barney. She was not mistaken. Hurriedly she read through Iola's glowing accounts of her season's triumph with Wagner. "It has been a great, a glorious experience," wrote Iola. "I cannot be far from the top now. The critics actually classed me with the great Malten. Oh, it was glorious. But I am tired out.
Materna, Malten, Brandt, Tichatschek, Schnorr von Carolsfeld, Niemann, Vogl, Winkelmann, Betz, Scaria, Reichmann, and many others have had the benefit of his advice; and if Wagner could have carried out his plans of establishing a college of dramatic singing at Bayreuth a plan which was frustrated by the lack of funds the cause of dramatic art would have gained immeasurably.
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