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Updated: May 22, 2025


Fortunately these pictures were never seen by the two most concerned. They went away on a second bridal journey, this time to Tatsu's native mountains in Kiu Shiu. While there, the good friend Ando Uchida was to be sought, and made acquainted with the strange history of the previous months. Mata and her old master remained placidly at home. They had no fears.

Out by the hill, a butterfly, snow white, rested a moment on the young girl's hair. She was again looking at the cliff, and did not notice it. Ando Uchida, from his green seclusion among the bamboo groves of Meguro, sent, from time to time, a scout into the city. First an ordinary hotel kotsukai or man-servant was employed. This experiment proved costly as well as futile.

One huge talon of lightning clutched at the flying scud. Kano gave a glance, covered his face, and began to sob. Uchida blew his nose on the pink-bordered foreign handkerchief. After a long while the old man whispered, "What name shall I use in my prayer?" "He is called," said Ando, "by the name of 'Tatsu. 'Tatsu, the Dragon Painter."

He then drew from his kimono sleeve a pink-bordered foreign pocket-handkerchief, and began to mop his damp forehead. Kano's politeness could not hide, entirely, a shudder of antipathy. He hurried into new speech. "And where, if it is not rude to ask, has my friend Ando sojourned during the long absence?" "Chiefly among the mountains of Kiu Shiu," answered the other.

Ando Shoshu, returning from the successful defence of the eastern approaches to Kamakura on the 5th of July, 1333, found the Government buildings a mass of charred ruins, and being ignorant of the multitude of suicides that had taken place in the cemetery at Tosho-ji, cried out: "The end of a hundred years! How is it that none was found to die the death of fidelity?"

On the priest's return, Ando questioned him eagerly. He gained, almost with the first words, certainty of his own freedom. With Tatsu safely arrived, and the betrothal to Kano Umè-ko an outspoken affair, then had the time come for him Ando Uchida to reassume the pleasant role of friend and benefactor. He moved into Yeddo before nightfall. His first visit was, of course, to Kano.

Ando promised a generous donation in return for information concerning the Kano family. Being assured that the motive for this curiosity was benevolent rather than mischievous, the priest consented to make the attempt. He reached the Kano gate at noon, within a few days after Tatsu's arrival. Mata opened to his call.

Save for its sequel, this incident would merely have to be catalogued with many cognate injustices which disfigured the epoch. But the Ando family being one of the most powerful in northern Japan, its rival representatives appealed to arms in support of their respective claims, and the province of Oshu was thrown into such confusion that a force had to be sent from Kamakura to restore order.

The seller, watching those slim, white fingers as they fluttered among his cages, the delicate ear bent to mark some special chime, forgot the words of Ando Uchida, otherwise, Mr. S. Yetan, of Chikuzen, forgot everything, indeed, but the beauty of the girlish face near him. He left the house in a dream more dense than the multitudinous clamor of his burden.

"Poor child," mocked the artist, whose quick ears had caught the whisper. "Poor Nippon, rather, and poor old Kano, who has no better heir than this frail girl. Oh, Ando, I have clamored to the gods! I have made pilgrimages and given gifts, but there is no one to inherit my name and the traditions of my race. Nowhere can I find a Dragon Painter!"

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