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In his preface, addressed to Dalberg, Agricola's patron, he tells a story which explains a peculiarity occasionally found in mediaeval manuscripts; of being written in sections by several different hands. Some years before, the Patriarch of Aquileia was passing through Spires.

The venerable face of the soldier the good, loving countenance of my adopted mother the fresh beauty of Angela, smiling on her little child the soft melancholy of the hunchback, now and then pressing her lips to the fair, laughing cheek of Agricola's eldest son and then Agricola himself, in his manly beauty, which seems to reflect so well the valor and honesty of his heart!

You may take Palmyre." The overseer softly smote his hands together at the happy thought. "Yes," said Agricola, "take Palmyre; she has picked up as many negro dialects as I know European languages." And she went to the don's plantation as interpreter, followed by Agricola's prayer to Fate that she might in some way be overtaken by disaster. The two hated each other with all the strength they had.

The truth seems to be, that a belief in omens and prodigies was again become prevalent, as the people were evidently relapsing into pristine barbarity, ignorance being ever the proper soil for a harvest of imposture. Questions for Examination. What advantages did Agricola gain in Britain? How did Domitian receive the account of Agricola's success? In what way did the emperor treat him?

The recent outbreak in the Rue des Prouvaires had caused a great number of precautionary arrests; and the discovery of numerous copies of Agricola's song, in the possession of one of the chiefs of the disconcerted plot, was, in truth, calculated slightly to compromise the young blacksmith. His father, however, as we have already mentioned, suspected not his secret anguish.

"Fall in my opinion! not a whit I love thee the better, man; why, we have story for story against each other, and I can think with less shame on having exposed myself about that cursed Praetorium though I am still convinced Agricola's camp must have been somewhere in this neighbourhood.

"Its name is Moel Agrik," said the lady, addressing me in English. "Does that mean Agricola's hill?" said I. "It does," said she, "and there is a tradition that the Roman General Agricola, when he invaded these parts, pitched his camp on that moel. The hill is spoken of by Pennant."

Agricola's just and sensible words, in connection with certain passages of the testament, at once enlightened Gabriel as to the views of Father d'Aigrigny, in taking charge of his education, and leading him to join the Society of Jesus. For the first time in his life, Gabriel was able to take in at a glance all the secret springs of the dark intrigue, of which he had been the victim.

While every one's attention was directed toward the wounded man, his antagonist restored his dagger to its sheath, took up his hat and walked away unmolested. When Frowenfeld, with Agricola still in his arms, looked around for the quadroon, he was gone. Doctor Keene, sent for instantly, was soon at Agricola's side. "Take him upstairs; he can't be moved any further."

She took the purse, and with tearful eyes, said to him: "I will not refuse your kindness M. Jacques; you are so good and generous, Agricola's father will thus at least have one consolation, in the midst of heavy sorrows. Thanks! many thanks!" "There is no need to thank me; money was made for others as well as ourselves."