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Updated: May 19, 2025
The added depth and feeling for space shows how Giorgione had learnt to compose in three dimensions, the technical advance over the "Adrastus and Hypsipyle" indicating a period subsequent to that picture, though probably anterior to the Castelfranco altar-piece. We have now taken the three universally accepted Giorgiones; how are we to proceed in our investigations?
How apt Euripides was to wander from his subject in allusions to perfectly extraneous matters, and sometimes even to himself, we may see from a speech of Adrastus, who most impertinently is made to say, "It is not fair that the poet, while he delights others with his works, should himself suffer inconvenience."
The funeral services were performed with great and solemn ceremonies, and when the body was interred, the household of Croesus returned to the palace, which was now, in spite of all its splendor, shrouded in gloom. That night at midnight Adrastus, finding his mental anguish insupportable retired from his apartment to the place where Atys had been buried, and killed himself over the grave.
At that time there was at the king's court a Phrygian named Adrastus, who had unwittingly slain his own brother and had fled to Sardis, where he was purified according to the customs of the country, and courteously received by the king.
Here Tydeus meets him; here Parthenopaeus, glorious in arms, and the pallid phantom of Adrastus; here the Dardanians long wept on earth and fallen in the war; sighing he discerns all their long array, Glaucus and Medon and Thersilochus, the three children of Antenor, and Polyphoetes, Ceres' priest, and Idaeus yet charioted, yet grasping his arms.
Croesus, though overwhelmed with anguish, was disarmed of all resentment at witnessing Adrastus's suffering. He endeavored to soothe and quiet the agitation which the unhappy man endured, but it was in vain. Adrastus could not be calmed. Croesus then ordered the body of his son to be buried with proper honors.
The actual group of figures forms but an episode in a landscape of the most entrancing beauty, lighted by the rising sun, and wrapped in a soft atmospheric haze. The landscapes in the two little Uffizi pictures are immediately suggested, yet the quality of painting is here far superior, and is much closer in its rendering of atmospheric effects to the "Adrastus and Hypsipyle."
About that time there appeared at the court of Croesus a stranger from Phrygia, a neighboring state, who presented himself at the palace and asked for protection. He was a prince of the royal family of Phrygia, and his name was Adrastus.
The band of huntsmen was organized, the dogs prepared, and the train departed. Very soon afterward, a messenger came back from the hunting ground, breathless, and with a countenance of extreme concern and terror, bringing the dreadful tidings that Atys was dead. Adrastus himself had killed him.
And while the DITHYRAMB, yet amid the Dorian tribes, retained the fire and dignity of its hereditary character while in Sicyon it rose in stately and mournful measures to the memory of Adrastus, the Argive hero while in Corinth, under the polished rule of Periander, Arion imparted to the antique hymn a new character and a more scientific music , gradually, in Attica, it gave way before the familiar and fantastic humours of the satyrs, sometimes abridged to afford greater scope to their exhibitions sometimes contracting the contagion of their burlesque.
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