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Updated: June 5, 2025
To Denslow, Honoria, Dalton, and myself he offered nothing. Strange? Not at all. Was he not the guest, and had not I been presented to him by Honoria as her "friend?" a word of pregnant meaning to a Duke of Rosecouleur! To Adonaïs he gave a lock of hair of the great novelist, Dumas, in a locket of yellow tourmaline, a stone usually black. Lethal smiled at this. He felt relieved.
It might make one in love with death, to think that one should be buried in so sweet a place." So Shelley himself had written in the preface to Adonais. Over his grave was placed a simple stone with the date of his birth and death and the words "Cor Cordium" heart of hearts. Beneath these words are some lines from the Tempest which Shelley had loved
These are 34 instances of irregularity. The number of stanzas in Adonais is 55: therefore there is more than one such irregularity for every two stanzas. It may not be absolutely futile if we bestow a little more attention upon the details of these laxities of rhyme. The repetition of an identical syllable has been cited 6 times.
Shall that alone which knows Be as a sword consumed before the sheath By sightless lightning? * He is a portion of the loveliness, Which once he made more lovely." Although some of Shelley's shorter poems are more popular, nothing that he ever wrote surpasses Adonais in completeness, poetic thought, and perfection of artistic finish. Treatment of Nature.
"I confess I should be surprised if that poem were born to an immortality of oblivion." "It is a highly wrought PIECE OF ART, and perhaps better, in point of composition, than anything I have written." "It is absurd in any review to criticize 'Adonais', and still more to pretend that the verses are bad."
Its biographical relations have been already considered in our preceding sections: its poetical structure and value, its ideal or spiritual significance, and its particular imagery and diction, will occupy us much as we proceed. At present I mean simply to deal with the Argument of Adonais.
This criticism is not, I think, exactly what Shelley called it in the Preface to Adonais 'savage: it is less savage than contemptuous, and is far indeed from competing with the abuse which was from time to time, and in various reviews, poured forth upon Shelley himself. It cannot be denied that some of the blemishes which it points out in Endymion are real blemishes, and very serious ones.
*Prometheus Unbound. One of Shelley's last poems was an elegy called Adonais. Under the name of Adonais, he mourns for the death of another poet, John Keats, who died at twenty-six. Shelley believed when he wrote the poem that Keats had been done to death by the cruel criticisms of his poems, that he had died of a broken heart, because the world neither understood nor sympathized with his poetry.
Urania asked the name of this last Shepherd: he then made bare his branded and ensanguined brow, which was like Cain's or Christ's. Another Mountain Shepherd, 'the gentlest of the wise, leaned over the deathbed. Adonais has drunk poison. Some 'deaf and viperous murderer' gave him the envenomed draught.
The consideration which, in the preceding section, we have bestowed upon the 'Argument' of Adonais will assist us not a little in grasping the full scope of the poem. I. The sense of grievous loss in the death of John Keats the youthful and aspiring poet, cut short as he was approaching his prime; and the instinctive impulse to mourning and desolation. 2.
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