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Updated: May 31, 2025
Then an adagio in this fantastic old world tale the curtain prepares to descend a faint, sweet voice sings a short, appealing cadenza, and after billowing A flat arpeggios, soft, great hummocks of tone, two giant chords are sounded, and the Ballade of Love and War is over. Who conquers? Is the Lady with the Green Eyes and Moon White Face rescued?
He was heart and soul a composer, and to be able to play his own music as he heard it in his inner ear was his single spur to practice. From the time of his complete immersion in composition, his ideas of pianistic effects, of tone colour, gradually led him farther and farther away from conventional pianism. Scales and arpeggios, as commonly rendered, had no longer interest or charm for him.
This subsides in ravishingly liquid arpeggios, "melodious tears"? which obtain the kindred effect of Chopin's tinkling "Berceuse" in a slightly different way. This notable work is marred by an interlude in which the left hand mumbles harshness in the bass, while the right hand is busy with airy fioriture. It is too close a copy of the finish of the first movement of Beethoven's "Moonlight" sonata.
His arpeggios at times rolled like the waves of the sea, and at others resembled folds of transparent lace floating airily with the movements of the wearer. The octaves were wonderfully accurate, and the chords appeared to be struck by steel mallets instead of fingers. He was called the Bayard of pianists, "le Chevalier sans peur et sans reproche."
Von Bulow says: "The bass must be strongly marked throughout even when piano and brought out in imitation of the upper part." Singularly enough, his is the only edition in which the left hand arpeggios at the close, though in the final bar "both hands may do so." This is editorial quibbling.
In this technical practise, to which I give an hour or more daily, I use very simple exercises, but each one contains some principle of touch, movement or condition. Hand over thumb and thumb under hand; different qualities of tone; staccato or clinging touch; scales, arpeggios and various other forms are used. Part of the technic study period is always given to Bach.
I advise technic practise with each hand alone, for you must know I am a firm believer in the study of pure technic outside of pieces. "As the student advances we take up chord playing with different touches, scales, arpeggios and octaves. I institute quite early what I call polyphonic technic one hand doing a different movement or touch from the other.
The play proved to be entertaining, and Milly returned home in good spirits. From the hall she heard the sounds of voices in altercation in the rear room where Ernestine had her desk. M. Paul's excited accent could be distinguished playing arpeggios all over Ernestine's grumbling bass. "Oh, dear!" thought Milly, "Paul's off the hooks again and I'll have to straighten him out...."
I can endure it no longer. God knows what I should do if. . . . But I must go in. "The old nurse raised her eyes to mine, as if she understood, and advised me to keep a sharp watch. 'I must go in, I said to myself, and, without knowing what I did, I opened the door. He was sitting at the piano and making arpeggios with his long, white, curved fingers.
And the bow must have the right amount of spring, of elasticity in its stick. A poor bow will work more harm than a poor fiddle, for if the bow is poor, if it lacks the right resilience, the student cannot acquire the correct bow pressure. He cannot play spiccato or any of the 'bouncing' bowings, including various forms of arpeggios, with a poor stick.
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