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Updated: August 29, 2024
Moliere took those old stories and retold them in his own language. That is precisely what I am suggesting that you should do. Your company is a company of improvisers. You supply the dialogue as you proceed, which is rather more than Moliere ever attempted. You may, if you prefer it though it would seem to me to be yielding to an excess of scruple go straight to Boccaccio or Sacchetti.
Accorso, Dante, Petrarch, Boccaccio, and the jurist Zanobi della Strada were to have had magnificent tombs there erected to them.
The weather was as bright as the romances of Boccaccio; there were pyramids of strawberries, in bowls colossal enough to hold orange-trees; and the choicest band filled the air with enchanting strains, while a brilliant multitude sauntered on turf like velvet, or roamed in desultory existence amid the quivering shades of winding walks.
The moderns are inferior to the ancients in epic poetry and tragedy. But if we do not surpass the Greeks and Latins in story-telling it is net the fault of the ladies of Paris, who never cease enriching the material for tales by their ingenious and graceful inventions. You certainly know, sir, the stories of Boccaccio.
His purity of feeling, almost ascetic, led him to reject Boccaccio, but he admitted Chaucer and some of Balzac's, and Smollett, Goldsmith, and De Foe, and Walter Scott's best, Irving's Rip Van Winkle, Bernardin St. Pierre's "Paul and Virginia," and "Three Months under the Snow," and Charles Lamb's generally overlooked "Rosamund Gray."
We were driving over the spot where, eighteen centuries ago, the Roman fleet used to ride at anchor. Here, it is certain, the gloomy spirit of Dante found congenial place for meditation, and the gay Boccaccio material for fiction.
These are Brobdingnagian strides through history, to reach the days of Dante, Petrarch, Boccaccio, Chaucer, Froissart, and the first translation of the Bible into a vulgar tongue by Wickliffe, to the days when Lorenzo de Medici breathed Greece into Europe, and the feeling for beauty changed from invalidism to convalescence; to the days when cannon were first used, printing invented, America discovered, and the man Luther, who gave the Germans their present language by his translation of the Bible, and who delivered us from papal tyranny, born; and Agincourt, and Joan of Arc, are picturesque and poignant features of the historical landscape.
On the lowest tier were arranged false beards, masks, and carnival disguises; above came volumes of the Latin and Italian poets, among others Boccaccio, the 'Morgante' of Pulci, and Petrarch, partly in the form of valuable printed parchments and illuminated manuscripts; then women's ornaments and toilet articles, scents, mirrors, veils and false hair; higher up, lutes, harps, chessboards, playing-cards; and finally, on the two uppermost tiers, paintings only, especially of female beauties, partly fancy pictures, bearing the classical names of Lucretia, Cleopatra, or Faustina, partly portraits of the beautiful Bencina, Lena Morella, Bina and Maria de' Lenzi.
There we feel the power of the poet's creation; and in the sharp light of that sudden turn the humanity is livelier than any realistic work can make it. Italian Comedy gives many hints for a Tartuffe; but they may be found in Boccaccio, as well as in Machiavelli's Mandragola. Frate Timoteo has a fine Italian priestly pose. DONNA: Credete voi, che'l Turco passi questo anno in Italia?
The upper part of the edifice was at that time a granary, and is still used for other than religious purposes. This church was one spot to which the inhabitants betook themselves much for refuge and divine assistance during the great plague described by Boccaccio. July 2d.
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