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It is believed that the flesh of the newts in the sacred pond of Yaegaki possesses aphrodisiac qualities; and the body of the creature, reduced to ashes, by burning, was formerly converted into love-powders. And there is a little Japanese song referring to the practice: 'Hore-gusuri koka niwa naika to imori ni toeba, yubi-wo marumete kore bakari.

Nishida tells the Governor that I came to Japan to study the ancient religion and customs, and that I am particularly interested in Shinto and the traditions of Izumo. The Governor suggests that I make visits to the celebrated shrines of Kitzuki, Yaegaki, and Kumano, and then asks: 'Does he know the tradition of the origin of the clapping of hands before a Shinto shrine?

There are also small amulets for exciting love, and amulets for the expelling of diseases, but these have no special characteristics worth dwelling upon. Then we take our way to the sacred grove the Okuno-in, or Mystic Shades of Yaegaki. The dimness is chiefly made by the huge bamboos.

There is, however, a strange superstition, about tsubaki-trees; and this sacred tree of Yaegaki, in the opinion of some folk, is a rare exception to the general ghastliness of its species. For tsubaki-trees are goblin trees, they say, and walk about at night; and there was one in the garden of a Matsue samurai which did this so much that it had to be cut down.

UNTO Yaegaki-jinja, which is in the village of Sakusa in Iu, in the Land of Izumo, all youths and maidens go who are in love, and who can make the pilgrimage. For in the temple of Yaegaki at Sakusa, Take-haya-susa- no-wo-no-mikoto and his wife Inada-hime and their son Sa-ku-sa-no-mikoto are enshrined.

Then it writhed its arms and groaned, and blood spurted at every stroke of the axe. At the spacious residence of the kannushi some very curious ofuda and o- mamori the holy talismans and charms of Yaegaki are sold, together with pictures representing Take-haya-susa-no-wo-no-mikoto and his bride Inada-hime surrounded by the 'manifold fence' of clouds.

Kitzuki, founded by the ancient gods, who 'made stout the pillars upon the nethermost rock bottom, and made high the cross-beams to the Plain of High Heaven' Kitzuki, the Holy of Holies, whose high-priest claims descent from the Goddess of the Sun; and Ichibata, famed shrine of Yakushi-Nyorai, who giveth sight to the blind Ichibata-no-Yakushi, whose lofty temple is approached by six hundred and forty steps of stone; and Kiomidzu, shrine of Kwannon of the Eleven Faces, before whose altar the sacred fire has burned without ceasing for a thousand years; and Sada, where the Sacred Snake lies coiled for ever on the sambo of the gods; and Oba, with its temples of Izanami and Izanagi, parents of gods and men, the makers of the world; and Yaegaki, whither lovers go to pray for unions with the beloved; and Kaka, Kaka-ura, Kaka-noKukedo San -all these I hope to see.

There is one more famous thing to be seen before visiting the holy grove behind the temple, and that is the Sacred Tama-tsubaki, or Precious- Camellia of Yaegaki. It stands upon a little knoll, fortified by a projection-wall, in a rice-field near the house of the priest; a fence has been built around it, and votive lamps of stone placed before it.

These sit one on each side of the gate: the Male grinning with open jaws, the Female demure, with mouth closed. The grated doors of the shrine of Jigyoba-no-Inari, like those of the shrine of Yaegaki, are white with the multitude of little papers tied to them, which papers signify prayers. But the prayers are special and curious.

'When this great Deity built the palace, clouds rose up thence. Then he made an august song: 'Ya-kumo tatsu: Idzumo ya-he-gaki; Tsuma-gomi ni Ya-he-gaki-tsukuru: Sono ya-he-gaki wo! Now the temple of Yaegaki takes its name from the words of the august song Ya-he-gaki, and therefore signifies The Temple of the Eightfold Fence.