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That we are able to criticize the theories of the Assyrians as to the origin and forms of the early characters is in the main due to M. de Sarzec's labours, from whose excavations many thousands of inscriptions of the Sumerians have been recovered.
The new parallels I have to-day attempted to trace between some of the Hebrew traditions, preserved in Gen. iv-vi, and those of the early Sumerians, as presented by their great Dynastic List, are essentially general in character and do not apply to details of narrative or to proper names.
But perhaps the most interesting conclusions to be drawn from the texts relate to the influence exerted by the ancient Sumerians upon Semitic beliefs and practices. It has, of course, long been recognized that the later Semitic inhabitants of Babylonia and Assyria drew most of their culture from the Sumerians, whom they displaced and absorbed.
This had helped us to fill in the gap between the famous Sargon of Akkad and the later dynasties, but it did not carry us far beyond Sargon's own time. Our archaeological evidence also comes suddenly to an end. Thus the earliest picture we have hitherto obtained of the Sumerians has been that of a race employing an advanced system of writing and possessed of a knowledge of metal.
After a long struggle the immigrants succeeded in dominating the settled race; and in the process they in turn became civilized. They learnt and adopted the cuneiform writing, they took over the Sumerian literature. Towards the close of the third millennium, when our tablet was written, the Sumerians as a race had almost ceased to exist.
Certain parts of Babylonian religion are much ruder and more superstitious than the exalted star-worship which is its central feature, and these have been ascribed to peoples who dwelt in Babylonia before the supposed Semitic conquest, viz. the Accadians in the north and the Sumerians to the south, peoples not related to the Semites in blood or in language, but generally called Turanian, and thought to be perhaps akin to the Chinese.
But they regarded these pothooks as a clumsy waste of time. They were practical business men and could not spend hours engraving two or three letters. They set to work and invented a new system of writing which was greatly superior to the old one. They borrowed a few pictures from the Egyptians and they simplified a number of the wedge-shaped figures of the Sumerians.
He does not examine the evidence of the poem itself in detail, but bases the suggestion mainly on the two hypotheses, that the Dragon combat of the poem was suggested by the winter storms and floods of the Euphrates Valley, and that the Sumerians came from a mountain region where water was not plentiful.
He pronounces in favor of the highlands lying to the east of Babylonia, as the home of the Sumerians, whence they made their way into the Euphrates Valley. Unfortunately, the noses on these old statues are mutilated, and with such an important feature missing, anthropologists, at least, are unwilling to pronounce definitely as to the type represented.
In view of the importance of the texts and of the light they throw upon the religious beliefs and practices of the early Sumerians, a somewhat detailed account of their contents may here be given. The occasion on which the cylinders were made was the rebuilding by Gudea of E-ninnû, the great temple of the god Ningirsu, in the city of Shirpurla.
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