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From the play of airy jests that is to say, Straussian jests to the heights of solemn earnestness that is to say, Straussian earnestness they remain stolidly at his elbow. He, the classical prose-writer, slides his burden along playfully and with a light heart, whereas Beethoven rolls his painfully and breathlessly. He seems merely to dandle his load; this is indeed an advantage.
"So be it!" he cried into Zuleika's ear cried loudly, for it seemed as though all the Wagnerian orchestras of Europe, with the Straussian ones thrown in, were here to clash in unison the full volume of right music for the glory of the reprieve. The fact was that the Judas boat had just bumped Univ., exactly opposite the Judas barge.
It matters little whether these legends are historically correct. Their value lies in the moral of them. And as for their real historical correctness, the Straussian argument that no such persons existed, because lies are told of them, is, I hold, most irrational. The falsehood would not have been invented unless it had started in a truth.
The whole of modern biological and historical research has nothing to do with the Straussian belief in the All, and the fact that the modern Philistine does not require the belief is proved by the description of his life given by Strauss in the chapter,"What is our Rule of Life?"
Everybody even the most bigoted, orthodox Churchman pays the writer the most gratifying compliments, while there is always a word or two thrown in as a tribute to his almost Lessingesque language, his delicacy of touch, or the beauty and accuracy of his aesthetic views. As a book, therefore, the Straussian performance appears to meet all the demands of an ideal example of its kind.
When perusing such passages, we are at least assured, to use a Straussian metaphor, that we are not quite dead, but still respond to the test of a stab. For the rest of the book is entirely lacking in offensiveness that quality which alone, as we have seen, is productive, and which our classical author has himself reckoned among the positive virtues.
For, as we have already maintained, our Culture-Philistine is somewhat of a coward, even in his strongest sympathies; hence Strauss, who can boast of a trifle more courage than he, becomes his leader, notwithstanding the fact that even Straussian pluck has its very definite limits.
We do, indeed, learn something new from them; for instance, that Gervinus made it known to the world how and why Goethe was no dramatic genius; that, in the second part of Faust, he had only produced a world of phantoms and of symbols; that Wallenstein is a Macbeth as well as a Hamlet; that the Straussian reader extracts the short stories out of the Wanderjahre "much as naughty children pick the raisins and almonds out of a tough plum-cake"; that no complete effect can be produced on the stage without the forcible element, and that Schiller emerged from Kant as from a cold-water cure.
Patricks; and raise learned doubts as to whether such persons ever existed, after that Straussian method of pseudo-criticism which cometh not from above, from the Spirit of God, nor yet indeed from below, from the sound region of fact, but from within, out of the naughtiness of the heart, defiling a man.
What! a God who would choose perpetual error, together with a striving after truth, and who would, perhaps, fall humbly at Strauss's feet and cry to him,"Take thou all Truth, it is thine!"? If ever a God and a man were ill-advised, they are this Straussian God, whose hobby is to err and to fail, and this Straussian man, who must atone for this erring and failing.
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