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Updated: June 4, 2025
L'everything go to hell, but DON' let innerfere business!" Sheridan had seized the telephone upon Roscoe's desk, and was calling his own office, overhead. "Abercrombie? Come down to my son Roscoe's suite and get rid of some gentlemen that are waitin' there to see him in room two-fourteen. There's Maples and Schirmer and a couple o' fellows on the Kinsey business.
"I suppose it, and I can prove it," replied the irascible little old chap, banging his fist on the table. "I know well enough what Schirmer and the rest have advanced against it. I know it better than you do. I know all about it, sir. I can present all the proofs for your consideration. And in the meantime, this evening at dinner, you will no doubt enjoy some excellent fish.
'Do you know what you are doing? You are trying to help Schirmer, the murderer, to escape. If you are not careful you will be in prison yourself before morning! That is the answer! Now go, and take care that you are not caught! The woman, who was certainly not over-intelligent, stared hard at Madame Bonanni for a moment, and then turned, with a cry of terror, and fled along the circular passage.
I mention further the Descrittione dell' Africa by Leon l'African, the Arabian Histories of Ibn-Khaldoun, of Al-Iaquob, of El-Bekri, of Ibn-Batoutah, of Mahommed El-Tounsi.... In the midst of this Babel, I remember the names of only two volumes of contemporary French scholars. There were also the laborious theses of Berlioux and of Schirmer. Paris, 8vo, 1874, with two maps. Paris, 8vo, 1892.
The contents of the note might be true after all. She read it again. I have been arrested for Schirmer, the betting man who murdered his mother-in-law and escaped from Paris yesterday. They will not let me communicate with any one till tomorrow morning and I have had great trouble in getting this line to you.
"Schirmer will pull him through, if anybody can, and he says it isn't at all hopeless. Lots of youngsters have convulsions and come out of them, jolly as grigs." Beatrix saw no need for telling him the new fear which had tortured her, during those endless hours of waiting after she had sent off her telegram.
For the rest of the history of the opera I shall draw upon the preface to "Fidelio," which I wrote some years ago for the vocal score in the Schirmer collection. The score was finished, including the orchestration, in the summer of 1805, and on Beethoven's return to Vienna, rehearsals were begun. It was the beginning of a series of trials which made the opera a child of sorrow to the composer.
His work is analyzed very fully in A.J. Goodrich' "Musical Analysis." Copyright, 1893, by G. Schirmer. Here, as in his symphonic overture to Scott's "Marmion," Buck has adopted the Wagnerian idea of the leit-motif as a vivid means of distinguishing musically the various characters and their varying emotions.
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