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What have I done?" asked Del Ferice in low tones. "Can you ask? Wretch! Read that, and understand what you have done," answered Donna Tullia, making a step forward and thrusting Saracinesca's letter in his face. Del Ferice had already seen the handwriting, and knew what the contents were likely to be. He took the letter in one hand, and without looking at it, still faced the angry woman.

"Will you give me your word that you are what you assert yourself to be, Giovanni Saracinesca, the great-grandson and lawful heir of Leone?" "Certainly. I pledge my honour that I am; and I, too, expect to be believed by you." There was something in the tone of the answer that struck a sympathetic chord in Saracinesca's nature.

"The Duchessa d'Astrardente reminds us of the fable of the dog in the horse's manger, for she can neither eat herself nor let others eat. She will not accept Don Giovanni Saracinesca's devotion, but she effectually prevents him from fulfilling his engagements to others." If Corona had been in her ordinary mood, she would very likely have laughed at the anonymous communication.

What is the story they tell?" "Some nonsense about Giovanni Saracinesca's going away last week. Del Ferice proposed to call him before you, and Giovanni was angry." "That is absurd," said Corona. "Don Giovanni was not the least annoyed. He was with me afterwards " "Always Giovanni! Always Giovanni!

He seemed unusually affable, as he sat himself down by Saracinesca's side, gathering the skirt of his scarlet mantle across his knee, and folding his delicate hands together in an attitude of restful attention. "You know, I daresay, a certain Del Ferice, Eminence?" began the Prince. "Very well the deus ex machinâ who has appeared to carry off Donna Tullia Mayer. Yes, I know him."

"Your comparison is witty," said Corona, who was much amused at old Saracinesca's conversation; "but I doubt whether you are so harmless as you represent. You are certainly not foolish, and I am not sure whether, as a study for the young " she hesitated, and laughed.

He had been led to the conclusion that she had followed Gouache by what he had seen in the Saracinesca's drawing-room, and by a process of reasoning too simple to suggest itself to an ordinary member of Roman society. What disturbed him most was the thought of the consequences of his discovery, and he resolved to conceal the girl's name and his own if possible.

Maria Consuelo on her part was quite unconscious that she was sitting in front of the Princess Sant' Ilario, but she had seen the lady by her side bow to Orsino's companion in passing, and she guessed from a certain resemblance that the dark, middle-aged man might be young Saracinesca's father.

"I have been mistaken, misled by the most extraordinary set of circumstances I have ever heard of." Saracinesca's eyes suddenly gleamed angrily and his white beard bristled round his face. "You have made a fool of yourself," he growled. "You have made your wife ill and yourself miserable in a fit of vulgar jealousy. And now you have been telling her so." "Exactly. I have been telling her so."

Then, too, it seems more easy to grow old when she catches a glimpse from time to time of Donna Tullia Del Ferice, who wears her years ungracefully, and who was once so near to becoming Giovanni Saracinesca's wife. Donna Tullia is fat and fiery of complexion, uneasily vivacious and unsure of herself.