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Updated: May 10, 2025


Sachs abruptly ceases, and sets to work; and the hammering phrase is heard again, now combined with the beginning of another subject, liker than ever to Siegfried's great song the very harmonies as well as the general rhythm are the same and this subject is developed before long into the Cobbler's song. But "and still that strain I hear"; and he stops and dreams again over Walther's song.

For if the spirit will not let us rest even here in Nuremberg, let it be for such works as seldom succeed by vulgar means, and succeed never without some grain of illusion in the perpetrator himself!" Walther appears at the door of an inner chamber. Sachs rises to meet and greet his guest. They had a good talk the night before, after the wise shoester's act of well-meant violence.

Seven Sachs was one of those rare and disconcerting persons who do not keep on talking after they have finished. He resumed his tranquillity, he re-entered into his silence, with no symptom of self-consciousness, entirely cheerful and at ease. And Edward Henry was aware of his observant and steady gaze. Edward Henry said to himself: "This man is expecting me to behave in a remarkable way.

The city, as I said, lives upon the memory of what it has been, and trades upon relics of its former fame. What it would have been without Albrecht Durer, and Adam Kraft the stone-mason, and Peter Vischer the bronze-worker, and Viet Stoss who carved in wood, and Hans Sachs the shoemaker and poet-minstrel, it is difficult to say.

The Hackleton apprentice was still a child when the great Goethe was again adding to the then artificial literature of his country his own true predecessor, Hans Sachs, the shoemaker of Nürnberg, the friend of Luther, the meistersinger of the Reformation.

The hero of the comedy is not Walther, but Sachs, who represents in himself both principles, who stands between the combatants and checks the extravagances of both parties.

The hour of weakness comes for each one of us, when he turns fool and is open to parley." So entirely ill-natured Beckmesser has been found that Sachs feels no compunction at letting him run into the pitfall gaping ahead. He is willing to win an advantage by a deception, let him follow his head, why should honest Sachs be tender of him? The joke is not severe beyond his deserts.

Seven Sachs on the quay, for in response to his telegram from Queenstown the illustrious actor-author had sent him an agreeable wireless message in full Atlantic; the which had inspired Edward Henry to obtain news by Marconi both from London and New York, at much expense; from the east he had had daily information of the dwindling receipts at the Regent Theatre, and from the west daily information concerning Isabel Joy.

In the window, screened with a green curtain of growing vines as is the pretty custom with most of the German shoemakers on the East Side there always might be seen a pair or two of well-made stout shoes drying in the sunshine on their lasts; and with these a half-dozen or more pairs of shoes newly soled and heeled in a substantial, workmanlike fashion that would have done credit to Hans Sachs himself.

Londoners might call him a provincial, and undoubtedly would call him a provincial; he admitted, even, that he felt like a provincial in the streets of London. And yet here he was, "doing Londoners in the eye all over the place," and receiving the open homage of Mr. Seven Sachs, whose name was the basis of a cosmopolitan legend.

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