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Updated: May 25, 2025


If one has attempted some such exploit in a literary form, one cannot help having a sense of union and comradeship with those who have approached the question with the other instrument. This will be especially the case if we happen to have appreciated that instrument even to envy. We may as well say it outright, we envy it quite unspeakably in the hands of Mr. Reinhart and in those of Mr. Abbey.

But he remains, on the whole, pencil in hand, a wonderfully copious and veracious historian of his age and his civilization. I have left Mr. Reinhart to the last because of his importance, and now this very importance operates as a restriction and even as a sort of reproach to me. To go well round him at a deliberate pace would take a whole book. With Mr. Abbey, Mr.

The opera closes with the death of Richard, set to a very dramatic accompaniment. "The Masked Ball" was the last work Verdi wrote for the Italian stage, and though uneven in its general effect, it contains some of his most original and striking numbers, particularly those allotted to the page and Reinhart.

One day Frau Reinhart, at the end of her letter, confessed the persecution of which she was the victim to her husband, and with tears in his eyes he confessed that he was suffering in the same way. Should they mention it to Christophe? They dared not. But they had to warn him to make him be cautious.

There was Miss Reinhart, fresh and beautiful as the morning, witty and graceful, ready to ply him with flatteries, making tea for him with her own white hands, talking in the very brightest and most animated style. She had brilliant powers of conversation, and no one could be more amusing. Although I hated her, I often found myself hanging on the words that fell from her lips.

Miss Reinhart, "speaking solely in the interests of Sir Roland," wished the dinner hour to be changed; it would be more convenient and suitable to Sir Roland if it were an hour later. The housekeeper said that to make it an hour later would be to disturb all the arrangements of the house, and it could not be done. Miss Reinhart said it was the duty of the housekeeper to obey.

The president, John W. Reinhart, had persistently asserted throughout 1893 that the company was financially sound; but an examination of its books subsequently made in the interest of the security holders disclosed gross irregularities, dishonest management, and manipulation of the accounts.

"I am so sorry, Miss Laura," she began, "but I had not patience to listen my heart was full of one thing." "Emma," I said, "tell me, do you think mamma really knows or suspects any of these things?" "No," was the quiet reply, "I do not. I will tell you why, Miss Laura. If my lady even thought so, she would not allow Miss Reinhart to remain in the house another hour with you."

You must not listen to those stupid servants and their vile exaggerations. Miss Reinhart is very good and very useful to me. I cannot send her away as I would dismiss a servant nor do I intend." "Let her go, that we may be happy as we were before. Oh, papa! she does not love mamma. She is not good; every one dislikes her. No one will speak to her. What shall we do? Send her away!"

Reinhart this question has not yet offered insoluble difficulties. He represents everything he has accepted so general an order. So long as his countrymen flock to Paris and pass in a homogeneous procession before his eyes, there is not the smallest difficulty in representing them.

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