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Updated: June 24, 2025
Raaff has now found, in the "Natal di Giove," which is in truth very little known, an aria quite appropriate to this situation. I think it is the ad libitum aria, "Bell' alme al ciel diletto" and he wishes me to write music for these words. He says, "No one knows it, and we need say nothing."
The more I think of the quartet as it will be on the stage, the more effective I consider it, and it has pleased all those who have heard it on the piano. Raaff alone maintains that it will not be successful. He said to me confidentially, "There is no opportunity to expand the voice; it is too confined." As if in a quartet the words should not far rather be spoken, as it were, than sung!
All is over; and were we to write whole pages on the subject, we could not alter the fact. The principal object of this letter is to congratulate my dear sister on her name-day. I think I wrote to you that M. Raaff had left this, but that he is my very true and most particular friend, and I can entirely depend on his regard.
I could not possibly write to you, because I did not myself know that he had so much affection for me. Now, to write a story properly, one ought to begin from the beginning. I ought to tell you, first, that Raaff lodged with M. Le Gros. It just occurs to me that you already know this; but what am I to do? It is written, and I can't begin the letter again, so I proceed.
Raaff asked him to call on me and to show me his portrait, to see me often, and to assist me in every way, and to establish an intimate friendship with me. It seems he went to him every morning, and repeatedly said to Kymli, "I was at Herr Mozart's again yesterday evening; he is, indeed, a wonderful little fellow; he is an out-and-outer, and no mistake!" and was always praising me.
After my conversation with Grimm, I went the very next day to call on Count Sickingen. He was quite of my opinion that I ought to have patience and wait till Raaff arrives at his destination, who will do all that lies in his power to serve me. If he should fail, Count Sickingen has offered to procure a situation for me at Mayence.
I heard from a third person that the two Wendlings highly praised their arias, and as for Raaff he is my best and dearest friend. I must teach the whole opera myself to Del Prato. He is incapable of singing even the introduction to any air of importance, and his voice is so uneven! Cecarelli might try his chance then serieusement. I nearly forgot the best of all.
All that I owe M. Grimm is fifteen louis-d'or, and he has only himself to blame for their not being repaid, and this I told him. But what avails any discussion? We can talk it over at Salzburg. I am very much obliged to you for having put my case so strongly before Father Martini, and also for having written about me to M. Raaff.
When he arrived, we happened to be at dinner. This, too, has nothing to do with the matter; it is only to let you know that people do dine in Paris, as elsewhere. When I went home I found a letter for me from Herr Weber, and the bearer of it was Raaff.
It is really a pity he did not give the symphony it would have been a good hit; and now he has no longer the opportunity to do so, for how seldom are four such performers to be found together! One day, when I went to call on Raaff, I was told that he was out, but would soon be home; so I waited.
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