Vietnam or Thailand ? Vote for the TOP Country of the Week !
Updated: June 19, 2025
Only we must not forget that the movement of which Cézanne is the earliest manifestation, and which has borne so amazing a crop of good art, owes something, though not everything, to the liberating and revolutionary doctrines of Post-Impressionism.
It opens with a picture of them at home, Jack Spratt dreaming, even in those days, of Post-Impressionism, showing that du Maurier was a prophet, "dreaming of the ante-pre-Raphaelite school. In the depths of his bliss a feeling of discouragement would steal over him as he thought of those immortal works, showing thereby that he was a true artist, ever striving after the light.
Far from being the insolent kind of revolution it is vulgarly supposed to be, Post-Impressionism is, in fact, a return, not indeed to any particular tradition of painting, but to the great tradition of visual art. It sets before every artist the ideal set before themselves by the primitives, an ideal which, since the twelfth century, has been cherished only by exceptional men of genius.
For anyone of my generation to write a book about art that said nothing of the movement dubbed in this country Post-Impressionist would be a piece of pure affectation. I shall have a great deal to say about it, and therefore I wish to see at the earliest possible opportunity how Post-Impressionism stands with regard to my theory of aesthetics.
Once it was Meier Graefe from Berlin, big, handsome, enterprising, not yet encumbered with Post-Impressionism and its outshoots, seeking American and British contributors to the German Pan, a magazine as big and enterprising as himself if not always as handsome, and the younger generation of London had the comfort of knowing that if the Victorian door in England held firm, the door of Europe had opened to them.
It is not generally known, I believe, that post-impressionism has escaped from the field of pictorial art, and is running rampant in literature. At present, Miss Gertrude Stein is the chief culprit. Indeed, she may be called the founder of a coterie, if not of a school.
An article of this sort is no good if it does not teach the writer something as well as his readers. I recognize him now as the symbol of enterprise and endurance, of restlessness and Post-Impressionism. He is not mid-Victorian, he is Fifth Georgian. Which is all I want to say about goldfish. Saturday to Monday
Like all sound revolutions, Post-Impressionism is nothing more than a return to first principles. Into a world where the painter was expected to be either a photographer or an acrobat burst the Post-Impressionist, claiming that, above all things, he should be an artist. Never mind, said he, about representation or accomplishment mind about creating significant form, mind about art.
Many of those who are enthusiastic about the movement, were they asked what they considered its most important characteristic, would reply, I imagine, "The expression of a new and peculiar point of view." "Post-Impressionism," I have heard people say, "is an expression of the ideas and feelings of that spiritual renaissance which is now growing into a lusty revolution."
In my enthusiastic moments I am tempted to hope that it is the first stage in a new slope to which it will stand in the same relation as sixth-century Byzantine art stands to the old. In that case we shall compare Post-Impressionism with that vital spirit which, towards the end of the fifth century, flickered into life amidst the ruins of Graeco-Roman realism.
Word Of The Day
Others Looking