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Updated: May 17, 2025
The story of Parrhasius and his vision was familiar ground to a man accustomed to see, in all corners of Italy, portraits of the Saviour painted by St. Luke, or finished, like the famous Holy Face of Lucca, by angels.
He was represented living at Capri in a collection of twelve villas, each of which was dedicated to a particular form of lust, and there with the paintings of Parrhasius for stimulant the satyr lounged. He was then an old man; his life had been passed in public, his conduct unreproved. If no one becomes suddenly base, it is rare for a man of seventy to become abruptly vile.
Although this story is related by many writers, it is doubtless a gross libel on the fair fame of this great artist, originating with some witless wag, who thought nothing too horrible to impose upon the credulity of mankind. It is discredited by the best authors. A similar fable is related of Parrhasius. See the Olynthian Captive, vol. I. page 151 of this work.
Such a work will be more enduring than those of Apelles and Parrhasius and Polygnotus; it will be far removed from creations of wood and wax and colour, being inspired by the Muses, in whom alone is that true portraiture that shows forth in one likeness a lovely body and a virtuous soul. Polystratus. Lycinus Poly. Well, here is the lady's comment.
'You have changed your creed, I see, and, like all converts, are somewhat fierce and fanatical. You used to believe in Zeuxis and Parrhasius in old times.
I know that you do not accept the holy men of Galilee as His deputed oracles. Tell me where you find surer prophets. Only show me the truth the eternal truth, and I would give my life for it! Sir, how can you smile at such questions as these questions involving the soul's destiny? One might fancy you a second Parrhasius."
Parrhasius, however, has such a determinative influence that he is called the law-giver of painting, because the types of gods and heroes which he created were followed and adopted by others as norms. Thus painting flourished from about the time of Philip to that of the successors of Alexander, but with great diversity of talent.
O lad!" exclaimed the painter, with a loud laugh, "you have fairly brought yourself into a dilemma at last, dear doctor; for it is well known that your ancient Greek and Roman artists knew nothing at all of the matter, in comparison with our modern masters; for this good reason, because they had but three or four colours, and knew not how to paint with oil: besides, which of all your old fusty Grecians would you put upon a footing with the divine Raphael, the most excellent Michael Angelo, Bona Roti, the graceful Guido, the bewitching Titian, and above all others, the sublime Rubens, the ." He would have proceeded with a long catalogue of names which he had got by heart for the purpose, without retaining the least idea of their several qualifications, had not he been interrupted by his friend, whose indignation being kindled by the irreverence with which he mentioned the Greeks, he called him blasphemer, Goth, Boeotian, and, in his turn, asked with great vehemence, which of those puny moderns could match with Panaenus of Athens, and his brother Phidias; Polycletus of Sicyon; Polygnotus, the Thracian; Parrhasius of Ephesus, surnamed Abrodiaitos, or the Beau; and Apelles, the prince of painters?
And when time has obliterated his work he may become the legendary Parrhasius of a vanished epoch. To see him in the Prado is to stand eye to eye with the most enchanting realities of art. When a man begins to chatter of his promenades among the masterpieces it may be assumed that he has crossed the sill of middle-age. Remy de Gourmont, gentle ironist, calls such a period l'heure insidieuse.
Zeuxis yielded the palm to him, since Parrhasius painted a curtain which deceived his rival, whereas the grapes of Zeuxis had deceived only birds. Parrhasius was exceedingly arrogant and luxurious, and boasted of having reached the utmost limits of his art. He combined the magic tone of Apollodorus with the exquisite design of Zeuxis and the classic expression of Polygnotus.
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