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Updated: May 17, 2025
Of the artists of this period it has been asserted by some authorities that Parrhasius was the most celebrated, as he is said to have "raised the art of painting to perfection in all that is exalted and essential;" uniting in his works "the classic invention of Polygnotus, the magic tone of Apollodorus, and the exquisite design of Zeuxis."
He was brought up under his grandfather Pittheus, and had a tutor and attendant set over him named Connidas, to whom the Athenians, even to this time, the day before the feast that is dedicated to Theseus, sacrifice a ram, giving this honor to his memory upon much juster grounds than to Silanio and Parrhasius, for making pictures and statues of Theseus.
Such was the emulation and rivalry between Zeuxis and Parrhasius, which contributed to the improvement of both; and similar thereto was that which inspired the master-minds of Michael Angelo and Raffaelle; of Titian and Pordenone; of Albert Durer and Lucas van Leyden; of Agostino and Annibale Caracci; and we may add, in our own country, of Thomas Cole and Durand.
The former appears to us the better opinion, for it is absurd that a painting by Apelles or Parrhasius should be an accessory of a board which, in itself, is thoroughly worthless. Hence, if the owner of the board has possession of the picture, and is sued for it by the painter, who nevertheless refuses to pay the cost of the board, he will be able to repel him by the plea of fraud.
"How think you," answered Parrhasius, "we can paint what cannot be expressed by any proportion, nor with any colour, and that has nothing in common with any of those things you mentioned, and which the pencil can imitate; in a word, a thing that cannot be seen?" "Do not the very looks of men," replied Socrates, "confess either hatred or friendship?" "In my opinion they do," said Parrhasius.
O Censorinus, liberally would I present my acquaintance with goblets and beautiful vases of brass; I would present them with tripods, the rewards of the brave Grecians: nor would you bear off the meanest of my donations, if I were rich in those pieces of art, which either Parrhasius or Scopas produced; the latter in statuary, the former in liquid colors, eminent to portray at one time a man, at another a god.
His Jupiter Enthroned is also extolled by Pliny, as one of his finest works. He acquired a great fortune, and lived ostentatiously. Contemporaneous with him, and equal in fame, was Parrhasius, a native of Ephesus, whose skill lay in accuracy of drawing, and power of expression. He gave to painting true proportion, and attended to minute details of the countenance and the hair.
"We do so," said Parrhasius. "Can you represent likewise," said Socrates, "what is most charming and most lovely in the person, I mean the inclination?"
It is the celebrated painting of Parrhasius." In a range with the curtain there were a number of other choice pictures by artists of ancient days. Here was the famous cluster of grapes by Zeuxis, so admirably depicted that it seemed as if the ripe juice were bursting forth.
"It is stated in the fifth chapter of the Geography of Strabo that the painter Parrhasius, having been summoned by the inhabitants of Lindos to make them an image of their tutelary hero Hercules, obtained from the son of Jupiter that he should appear to him in a dream, and thus enable him worthily to portray the perfections of a demigod.
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