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"But you have an uncle." "We have quarrelled." "You might make it up again, on an occasion like this." "Out of the question; we quarrelled on her account; my uncle hates Parisiennes." "Damn it all, then! send a friend a friend will do under the circumstances." "There's Lampron." "The painter?" "Yes, but he doesn't know Monsieur Charnot. It would only be one stranger pleading for another.

The defile of merry, witty Parisiennes, with their attendant cavaliers, while the orchestra played the passionate notes of the Hungarian czardas, resembled some vision of a painter, some embarkation for the dreamed-of Cythera, realized by the fancy of an artist, a poet, or a great lord, here in nineteenth century Paris, close to the bridge, across which streamed, like a living antithesis, the realism of crowded cabs, full omnibuses, and hurrying foot-passengers.

At that time she used to give a good deal of time and thought to her dresses, inventing trimmings and embroidering them; she planned out her costumes with the maid whom she had brought with her from Paris, and so maintained the reputation of Parisiennes in the provinces. Her caustic tongue was dreaded; she was not loved.

"It's awfully stuffy here," he said. "Let's go outside eh?" Together they descended the red-carpeted steps and out into the palm-lined Place, at that hour thronged by the smartest crowd in Europe. Indeed, the war seemed to have led to increased extravagance and daring in the dress of those gay Parisiennes, those butterflies of fashion who were everywhere along the Cote d'Azur.

For a long time I used to think that these qualities stood them in lieu of virtues. That was a slander; there are plenty of Parisiennes endowed with every virtue; I even know a few who are angels." At this point, M. Flamaran looked me straight in the eyes, and, as I made no reply, he added: "I know one, at least: Jeanne Charnot. Are you listening?" "Yes, Monsieur Flamaran." "Isn't she a paragon?"

It was said also that she was thinking of studying for the stage with La Rochette M. de Talbrun had heard it talked about in the foyer of the Opera by an old Prince from some foreign country she could not remember his name, but he was praising Madame Strahlberg without any reserve as the most delightful of Parisiennes.

Stout, exhausted matrons, breathless fathers of families, crowded the sofas, raising discouraged glances to the walls, while around them turned and tripped, untiring as at a dance, legions of Parisiennes, at ease, on their high heels, equally attentive to the pictures, their own carriage, and their neighbors' gowns.

And this is why, my friend, I should like a mother feeding her babe to be adopted as the highest expression of human beauty. Ah! how can one persuade our Parisiennes, all our French women, indeed, that woman's beauty lies in being a mother with an infant on her knees? Whenever that fashion prevails, we shall be the sovereign nation, the masters of the world!"

"Quite off." "You were within your rights; but now, why not a Parisienne?" "Yes, indeed; why not?" "Perhaps you are prejudiced in some way against Parisiennes?" "I? Not the least." "I used to be, but I've got over it now. They have a charm of their own, a certain style of dressing, walking, and laughing which you don't find outside the fortifications.

The defile of merry, witty Parisiennes, with their attendant cavaliers, while the orchestra played the passionate notes of the Hungarian czardas, resembled some vision of a painter, some embarkation for the dreamed-of Cythera, realized by the fancy of an artist, a poet, or a great lord, here in nineteenth century Paris, close to the bridge, across which streamed, like a living antithesis, the realism of crowded cabs, full omnibuses, and hurrying foot-passengers.