Vietnam or Thailand ? Vote for the TOP Country of the Week !
Updated: May 17, 2025
The second story, which existed as a kind of tower above each end of the façade, was thrown down by the great earthquake, and never rebuilt. The loggia has stone benches against the walls, one to the left, and two, one above the other, to the right, which were the seats for senators on great fête days. In 1462 there was another fire, so that only fragments of Onofrio's work remain the hall on the ground floor with the seventeenth-century wooden ceiling, several of the caps of the loggia, and the courtyard within, the great door and the windows of the first floor. This is all that appears to have been preserved. The great council then called in Michelozzo the Florentine and George of Sebenico. The former was at Ragusa in 1463, looking after the building of the walls of the city; and on February 11, 1464, it was ordered "that the palace be rebuilt" after his designs; but, in the following June, George of Sebenico was appointed, working, no doubt, on the general lines laid down by Michelozzo. The great hall was burnt during the French siege, and very little remains inside worthy of note. There are two tolerable pictures, one an early copy of the Paris Bordone in the National Gallery, the Venus and Adonis, and the other, a Baptism of Christ, in the manner of Paduan work of the fifteenth century. Both have been restored. The courtyard has an arcade of round arches, resting on cylindrical columns with Renaissance caps, and an upper arcade resting on twin columns and piers, two arches to each bay, both stories being vaulted with sustaining arches, but without ribs. The loggia in front has ribs and bosses at the intersections. A small staircase to the right contains other remains of Onofrio's building a bracket, on which is carved a figure of Justice holding a label, and with a mutilated lion on each side of her; opposite to it is a capital, on which is carved the Rector administering justice; neither of them in their original place. The main doorway is pointed with a richly carved moulding and caps, which belong to Onofrio's work; above it is S. Biagio in a Renaissance niche, and between the caps and the arch a shallow frieze is interposed, on which are carved little figures engaged in combats, a love scene, and Cupids with an organ and trumpets. The corbels from which the vaults spring are carved, the subjects being two groups of boys playing, a man fighting a dragon or basilisk with club and little target, a struggle between a girl and a bear, &c. The doors at the end, the Porta della Carit
While Maddalena laid her flowers upon the lap of the saint, Gaspare bought from a boy three sheets of paper containing Sant' Onofrio's reproduction, and three more showing the effigies of San Filadelfo, Sant' Alfio, and San Cirino. "Ecco, Donna Maddalena! Ecco, signorino!" He distributed his purchases, keeping two for himself.
As Ernesta had merely left a daughter, Benedetta, behind her, it followed that the only male heir, the only possible continuator of the family name was Onofrio's son, young Prince Dario, now some thirty years of age. Should he die without posterity, the Boccaneras, once so full of life and whose deeds had filled Roman history in papal times, must fatally disappear.
There are two other pieces of Onofrio's work still in existence in Ragusa, the pretty little fountain between the Rector's Palace and the Sponza, next door to the Corpo di Guardia, of which an illustration is given, showing a certain admixture of Renaissance feeling with Gothic foliage, and the much mutilated fountain just within the Porta Pile.
Unfavourable reports were circulated about the ladies, the mother having almost lost caste since she had become a widow, and the girl having too bold a beauty, too conquering an air. Thus the marriage had not met with the approval of Serafina, who was very rigid, or of Onofrio's elder brother Pio, at that time merely a /Cameriere segreto/ of the Holy Father and a Canon of the Vatican basilica.
Unfavourable reports were circulated about the ladies, the mother having almost lost caste since she had become a widow, and the girl having too bold a beauty, too conquering an air. Thus the marriage had not met with the approval of Serafina, who was very rigid, or of Onofrio's elder brother Pio, at that time merely a Cameriere segreto of the Holy Father and a Canon of the Vatican basilica.
As Ernesta had merely left a daughter, Benedetta, behind her, it followed that the only male heir, the only possible continuator of the family name was Onofrio's son, young Prince Dario, now some thirty years of age. Should he die without posterity, the Boccaneras, once so full of life and whose deeds had filled Roman history in papal times, must fatally disappear.
As Ernesta had merely left a daughter, Benedetta, behind her, it followed that the only male heir, the only possible continuator of the family name was Onofrio's son, young Prince Dario, now some thirty years of age. Should he die without posterity, the Boccaneras, once so full of life and whose deeds had filled Roman history in papal times, must fatally disappear.
Unfavourable reports were circulated about the ladies, the mother having almost lost caste since she had become a widow, and the girl having too bold a beauty, too conquering an air. Thus the marriage had not met with the approval of Serafina, who was very rigid, or of Onofrio's elder brother Pio, at that time merely a Cameriere segreto of the Holy Father and a Canon of the Vatican basilica.
Word Of The Day
Others Looking