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Updated: June 24, 2025
The atmosphere of art and taste in which Oeser lived, and into which one was drawn, provided one visited him frequently, was the more and more worthy and delightful, because he was fond of remembering departed or absent persons, with whom he had been, or still continued to be, on good terms; for, if he had once given any one his esteem, he remained unalterable in his conduct towards him, and always showed himself equally friendly.
We young people now learned with rejoicings that Winckelmann would return back from Italy, visit his princely friend, call on Oeser by the way, and so come within our sphere of vision.
The old Pleissenburg; the rooms of the Academy; but, above all, the abode of Oeser; and no less the collections of Winkler and Richter, I have always vividly present before me.
Oeser himself was quite elated if he only thought of it, and the news of Winckelmann's death fell down into the midst of us like a thunderbolt from a clear sky. I still remember the place where I first heard it: it was in the court of the Pleissenburg, not far from the little gate through which one used to go up to Oeser's residence.
The problematical part of those little treatises, which are, besides, confused even from their irony, and from their referring to opinions and events altogether peculiar, we were, indeed, unable to decipher; but as Oeser had great influence over us, and incessantly gave them out to us as the gospel of the beautiful, and still more of the tasteful and the pleasing, we found out the general sense, and fancied, that, with such interpretations, we should go on the more securely, as we regarded it no small happiness to draw from the same fountain from which Winckelmann had allayed his earliest thirst.
<b>DRINGLINGER, SOPHIE FRIEDERICKE.</b> Born in Dresden, 1736; died 1791. Pupil of Oeser in Leipzig. In the Dresden Gallery are seven miniatures by her of different members of the Dringlinger family. The head of this house was John Melchior Dringlinger, court jeweller of Augustus the Strong.
He became acquainted with many artists, above all with Oeser, Goethe's future friend and master, who, uniting a high culture with the practical knowledge of art, was fitted to minister to Winckelmann's culture. And now there opened for him a new way of communion with the Greek life.
At this time the "Lives of the Painters," by D'Argenville, was translated into German: I obtained it quite fresh, and studied it assiduously enough. This seemed to please Oeser; and he procured us an opportunity of seeing many a portfolio out of the great Leipzig collections, and thus introduced us to the history of the art.
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