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Updated: June 18, 2025
She was regarded at Rome as the goddess of good fortune only, and was usually represented holding the cornucopia. Victoria, the Latin form for the goddess Nike, was highly honored among the conquest-loving Romans, and many temples were dedicated to her at Rome. There was a celebrated temple at Athens to the Greek goddess Nike Apteros, or Wingless Victory, of which remains still exist.
No one failed to notice that this jest alluded to the love which seemed to have been awakened in the sculptor as quickly as in the personator of the goddess of Victory, and, while it excited the merriment of the others, the blood mounted into Hermon's cheeks; but Myrtilus perceived what was passing in the mind of his irritable friend, and, as the grammateus praised Nike because in this coronation she had omitted the laurel, the fair-haired Greek interrupted him with the exclamation: "Quite right, noble Proclus, the grave laurel does not suit our gay pastime; but roses belong to the artist everywhere, and are always welcome to him.
Even as he sat in the deeply pillowed arm-chair his eye lighted on a Nike,—a statuette of the precious Corinthian bronze, a treasure for which the dealer’s unpaid account lay still, alas! in the orator’s coffer. But Democrates was not thinking so much of the unpaid bronze-smith as of divers weightier debts.
No one failed to notice that this jest alluded to the love which seemed to have been awakened in the sculptor as quickly as in the personator of the goddess of Victory, and, while it excited the merriment of the others, the blood mounted into Hermon's cheeks; but Myrtilus perceived what was passing in the mind of his irritable friend, and, as the grammateus praised Nike because in this coronation she had omitted the laurel, the fair-haired Greek interrupted him with the exclamation: "Quite right, noble Proclus, the grave laurel does not suit our gay pastime; but roses belong to the artist everywhere, and are always welcome to him.
The temple of Nike Apteros was only 27 feet in length by 18 in breadth, and was erected on the Acropolis in commemoration of Cimon's victory at the Eurymedon. A view of it is given at the beginning of this chapter, and its position on the Acropolis, on one side of the Propylaea, is seen in the drawings on p. 91, as well as on the Frontispiece of the work.
The Madonna, as cosmopolitan Nike, is a fitter patroness for settled society. She also found a ready welcome in consequence of the pastoral institutions of the country in which the mother plays such a conspicuous role.
Immense successes were thus obtained at an immense price; for Nike too is followed by her Nemesis. In the Roman commonwealth there was no special dependence on any one man, either on soldier or on general, and under the rigid discipline of its moral police all the idiosyncrasies of human character were extinguished.
Each of these wings was in the form of a Doric temple. The northern one, or that on the left of a person ascending the Acropolis, was called the PINACOTHECA, from its walls being covered with paintings. The southern wing consisted only of a porch or open gallery. Immediately before its western front stood the little temple of Nike Apteros already mentioned.
'I have one, said Logotheti, 'and that's enough. Margaret had received many compliments of a more or less complicated nature, but she did not remember that any one had yet compared her to two Venuses, the Psyche and the Samothrace Nikê in a single breath. 'That's nonsense! she exclaimed, blushing a little, and not at all indignant. 'No, Logotheti answered, imperturbably.
And the Squire 'Was I hard to him too? The night came down. All the strange or beautiful shapes in the library wavered and flickered under the firelight the glorious Nikê the Erôs the noble sketch of the boy in his cricketing dress.... The following morning came a telegram from Aubrey Mannering to Mrs. Gaddesden.
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