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Updated: May 9, 2025


"I know it," Durtal said, "and that horrifies me. I know also the Hindu dogma of the migrations of souls after death. These disembodied souls stray until they are reincarnated or until they attain, from avatar to avatar, to complete purity. Well, I think it's quite enough to live once. I'd prefer nothingness, a hole in the ground, to all those metamorphoses. It's more consoling to me.

This African delighted him. The Latin language was at its richest in the Metamorphoses; it contained ooze and rubbish-strewn water rushing from all the provinces, and the refuse mingled and was confused in a bizarre, exotic, almost new color.

Interspersed in the Art of Love are a number of stories from the old mythology, introduced to illustrate the argument, but set out at greater length than was necessary for that purpose, from the active pleasure it always gives Ovid to tell a story. When he conceived the plan of his Metamorphoses, he had recognised this narrative instinct as his special gift.

The large panels of the staircase are hung with splendid tapestry, from designs by Boucher, representing the different metamorphoses of Jupiter. At each landing-place stands a massive Japanese vase of 'claisonne' enamel, supported by a tripod of Chinese bronze, representing chimeras.

But the metamorphoses of the Radiates are too little known to be characterized by popular names; and when they were first traced, the relation between their different phases of existence was not understood, so that the same animal in different stages of growth has frequently been described as two or more distinct animals.

They went about in a state of Elysian beatitude, these young people. Love worked strange metamorphoses, as he does always. They found new joys in Tennyson, and rejoiced in the wonderful colours of the waves. I am not laughing at them for these things.

The two great works of Ovid are his "Metamorphoses" and his "Fasti." They are both mythological poems, and from the former we have taken most of our stories of Grecian and Roman mythology. A late writer thus characterizes these poems: "The rich mythology of Greece furnished Ovid, as it may still furnish the poet, the painter, and the sculptor, with materials for his art.

So he uttered his opinion in these words: "Inasmuch as the blessed Claudius is akin to the blessed Augustus, and also to the blessed Augusta, his grandmother, whom he ordered to be made a goddess, and whereas he far surpasses all mortal men in wisdom, and seeing that it is for the public good that there be some one able to join Romulus in devouring boiled turnips, I propose that from this day forth blessed Claudius be a god, to enjoy that honour with all its appurtenances in as full a degree as any other before him, and that a note to that effect be added to Ovid's Metamorphoses."

"Saint Catherine of Siena and Angela of Foligno lived for years exclusively on the Sacrament; and this gift devolved equally upon Saint Colette, Saint Lidwine, Dominic of Paradise, Saint Columba of Rieti, Mary Bagnesi, Rose of Lima, Saint Peter of Alcantara, Mother Agnes of Langeac and on many others. "Under the divine impress the senses of smell and taste presented no less strange metamorphoses.

This poem, like the Metamorphoses, does not claim to be a national epic, but both, by their vivid realization of a mythology which can never lose its charm, hold a legitimate place among the offshoots of epic song. Virgil has overcome the difficulties and joined the best results of both these imperfect forms.

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