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Segni, lib. i. p. 15, speaks clearly on the point, and says that the friar for this service to the city 'debbe esser messo tra buoni datori di leggi, e debbe essere amato e onorato da' Fiorentini non altrimenti che Numa dai Romani e Solone dagli Ateniesi e Licurgo da' Lacedemoni. The evil of the old system was that the Parlamento, which consisted of the citizens assembled in the Piazza, was exposed to intimidation, and had no proper initiative, while the Balia, or select body, to whom they then intrusted plenipotentiary authority, was always the faction for the moment uppermost.
Her fear of death, however, stands in powerful dramatic contrast with the sudden courage she displays when her lover seeks to die in her place. Guarini was perfectly aware of the value of this contrast, for he placed the following lines in the mouth of the messo who reports the scene: Or odi maraviglia.
Boboli Gardens, Bargello, Louvre. These captives are unfinished. The "Rachel" and "Leah" at S. Pietro in Vincoli were committed to pupils by Michael Angelo. "Che mi fosso messo a fare zolfanelli.... Son ogni di lapidato, come se havessi crucifisso Cristo.... io mi truovo avere perduta tutta la mia giovinezza legato a questa sepoltura." Gotti, p. 42.
Per altro il mio padre gia 36 anni in servizio di questa Corte e sapendo, che questo Arcivescovo non puo e non vuol vedere gente avanzata in eta, non lo se ne prende a core, si e messo alla letteratura per altro gia suo studio favorito.
He should as such appear before the Emperor with this Epistle, read to him the Epistle, and explain it, and summon the Emperor to become with us a messenger of God, and may he be seemingly in profit or seemingly in loss in regard to the Emperor Napoleon, to send this Epistle to Emperor Napoleon, and require instantly an armistic under the condition, that he is desirous to make immediately, with condescension, a treaty of Peace, to hear the "Messo di dio," the messenger of God, spoken of by the prophets of the Old and New Testament as well as by the prophets of the succeeding ages of the Christian Era, and to fulfil the will of the Most High for the welfare of nations.
The performance begins with a prologue by Mercury which is nothing but a short argument of the whole plot. 'Mercurio annunzia la festa' is the superscription in the original, evidently suggested by the appearance of 'un messo di Dio' with which the religious rappresentazioni usually open.
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