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To be sure he could not know that the new owner of the grey mare was in that window; it was enough for him that a quiescent and unsuspected piano-organ broke with three majestic chords into Mascagni's "Intermezzo" at his very ear, and that, without any apparent interval of time, he was surmounting a heap composed of a newspaper boy, a sandwich man, and a hospital nurse, while his hands held nothing save a red-hot memory of where the rope had been.

And so, when the great night came, Milly and I left the others in the midst of their preparations, and went off to dine with Mrs. Van Dam; we were to go with her afterwards to see Mascagni's "Christofero Colombo." It seems impossible now, but I was excited even about the dinner. I thought it the beginning of recognition and it was! to be seized upon by this splendid, masterful young General.

It looked like a walk-over for Clarence, but in the fifth round he blew a couple of green notes and Lancelot got the decision. Then, for a consolation prize, Hector was led out in the middle of the room, where he assassinated Mascagni's Cavalleria Rusticana so thoroughly that it will never be able to enter a fifty-cent table d'hote restaurant again.

Mascagni's music, which is scored only for strings and harp, is both delicate and refined, and instinct with a tender melancholy, for which it would be vain to look in his earlier works.

It looked like a walk-over for Clarence, but in the fifth round he blew a couple of green notes and Lancelot got the decision. Then, for a consolation prize, Hector was led out in the middle of the room, where he assassinated Mascagni's Cavalleria Rusticana so thoroughly that it will never be able to enter a fifty-cent table d'hôte restaurant again.

It gave him speech, he became alive. When I had finished the intermezzo, he began telling me about a little crippled brother who died and whom he loved and used to carry everywhere in his arms. He did not wait for encouragement. He took up the story and told it slowly, as if to himself, just sort of rose up and told his own woe to answer Mascagni's. It overcame me."

With the last it shares one element which brings it into relationship also with a number of much younger and less significant works operas like Mascagni's "Iris," Puccini's "Madama Butterfly," and Giordano's "Siberia." In the score of "Aida" there is a slight infusion of that local color which is lavishly employed in decorating its externals.

Listen to Beethoven's Fourth and Eighth Symphonies, Il Barbiere again, Die Meistersinger.... But do not be misled: Massenet's Don Quichotte is light music; so is Mascagni's Lodoletta.... Is music to be prized and taken to our hearts because it is contrapuntal and complex? He is the one composer, indeed, who can never be played with one finger!

The heat of Africa filled the room; on one side we could have touched the jungle, on the other in the river the hippopotamus puffed and snorted. M. Fumière pulled out the stops, and upon the heat and silence of the night, floated the "Evening Star," Mascagni's "Intermezzo," and "Chin-chin Chinaman."

In the dim illumination that came from the distant lamp David bent over the open sheet of music on the piano. It was Mascagni's AVE MARIA. His blood tingled. His brain was stirred by a new emotion, a growing thing that made him uneasy and filled him with a strange restlessness.