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Updated: June 24, 2025
A meek voice, behind him, articulating high in the air, said, "It's only me." The voice was followed by the prodigious bodily apparition of Mrs. Wragge, with her cap all awry, and one of her shoes in the next room. "Oh, look at her! look at her!" cried Mrs. Wragge, in an ecstasy, dropping on her knees at Magdalen's bedside, with a thump that shook the house.
The disclosure, on Kirke's side, of his father's connection with the young officer in Canada, had followed naturally on the revelation of Magdalen's real name. Captain Wragge had expressed his surprise, but had made no further remark at the time.
With this assurance, the captain dipped his brush into a little lump of opaque color which he had mixed in a saucer, and which he had graduated as nearly as the materials would permit to the color of Magdalen's skin.
Best asked no more, for tell-tale colour had arisen in Magdalen's cheeks; and she had been the confidante of an engagement with a certain Henry Merrifield, who had been employed in the bank at Filsted when Magdalen was a very young girl. His father had come down suddenly, had found debt and dissipation, had broken all off decidedly, and no more had been heard of the young man.
Magdalen's assumed name at North Shingles was the only name by which Kirke knew her; and the one chance of tracing her relatives that he could discern was the chance of discovering her reputed uncle and aunt by means of inquiries starting from Aldborough. Toward the close of the afternoon a decent middle-aged woman came to the house, with a letter from Mr. Merrick.
The great Perugino Assumption has all his mellow sunset calm, and never was a landscape more tenderly sympathetic. The same painter's Deposition hangs next, and the custodian brings a magnifying glass that the tears on the Magdalen's cheek may be more closely observed; but the third, No. 53, Christ in the Garden of Gethsemane, is finer, and here again the landscape and light are perfect.
When Fay, in her panic-stricken widowhood, had fled back to her old home in Hampshire, she found all very much as she had left it, except that her father's hair was damply dyed, her sister Magdalen's frankly grey, and the pigtail of Bessie, the youngest daughter, was now an imposing bronze coil in the nape of her neck.
It was a refuge to get to the carriage a refuge, though the man she had married stood there waiting for her at the door. Mrs. Wragge tried to follow her into the garden. But the captain had seen Magdalen's face as she ran out, and he steadily held his wife back in the passage. From that distance the last farewells were exchanged.
In describing the circumstances under which he had become acquainted with Magdalen's present position, Captain Wragge had skirted, with his customary dexterity, round the remote boundaries of truth.
I think he made use of those words because of the impetuosity of Magdalen's feelings, which made her in a certain degree forget the stupendous mystery which had been accomplished, and feel as if what she then beheld was still mortal instead of a glorified body.
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