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Luzel, "Légendes Chrét." vol. i. pp. 225, 216, 247, 249; "Contes," vol. i. pp. 14, 40; cf. Pitré, vol. vi. p. 1; and Gonzenbach, vol. ii. p. 171, in neither of which the lapse of time is an incident. Dr. Bartsch, vol. i. p. 282; Müller, p. 46; Powell and Magnusson, vol. ii. p. 37. Brauns, p. 146.
At length the pardoner pulled from his scrip a small phial of clear water, of which he vaunted the quality in the following verses: Listneth, gode people, everiche one For in the londe of Babylone, Far eastward I wot it lyeth, And is the first londe the sonne espieth, Ther, as he cometh fro out the sé; In this ilk londe, as thinketh me, Right as holie legendes tell.
Not much noblesse here! Next, if Rosarges, a gentleman, served the Mask, Saint-Mars alone carried his food to the valet, Dauger. So the service of Rosarges does not ennoble the Mask and differentiate him from Dauger, who was even more nobly served, by Saint-Mars. Legendes de la Bastille, pp. 86-89. Citing du Junca's Journal, April 30, 1701.
Besides the before-mentioned Metamorphosis of Pigmalion's Image, it is not improbable that Marston is the author of the manuscript preserved in the British Museum: The New Metamorphosis; or, A Feaste or Fancie of Poeticall Legendes. The first parte divided into twelve books. Written by I. M., gent., 1600.
Contes Populaires de la Khabylie du Jurgura, p. 239. Paris, 1892. Le chausseur. Legendes et contes merveilleuses de la grande Khabylie, p. 20. 2 vols. Tunis, 1893-1898. Le fils du Sultan et le chien des Chrétiens, p. 90. Histoire de Ali et sa mère. R Basset, Nouveaux Contes Berbers, p. 18. Paris, 1897. La Pomme de jeunesse. Spitta-bey, Contes Arabes modernes, p. 12. Ley de 1883.
Breuil, in Mémoires de la Société des Antiquaires de Picardie, viii. p. 206; E. Cortet, Essai sur les Fêtes Religieuses, p. 216; Laisnel de la Salle, Croyances et Légendes du Centre de la France, i. 83; J. Lecoeur, Esquisses du Bocage Normand, ii. 225. H. Gaidoz, "Le dieu gaulois du soleil et le symbolisme de la roue," Revue Archéologique, iii. Série, iv. p. 26, note 3.
The work is dedicated to Mallarmé, "Père et seigneur des ors, des pierreries, et des poissons," and other works are to follow: the six tomes of "Légendes de Rêves et de Sangs," the innumerable tomes of "La Glose," and the single tome of "La Loi."
Of "Les Feuilles d'Automne" and "Les Chants du Crépuscule" I remember nothing. Ten lines, fifty lines of "Les Légendes des Siècles," and I always think that it is the greatest poetry I have ever read, but after a few pages the book is laid down and forgotten.
'Les Legendes, of the Abbe Casgrain, 'Les Pionniers de l'Ouest, of M. Joseph Tasse, and the works of M. Faucher de St. Maurice, are among other illustrations of the national spirit that animates French Canadian writers, and makes them deservedly popular among their compatriots.
"The Seduction of la Cava," "The Vengeance of Count Julien," "The Battle of Guadalete," are brought back in the same fashion by the historians and writers of Mussulman romances. R. Basset. Legendes Arabes d'Espagne. La Maison fermée de Tolède. Oran, 1898, in 8vo. The romance on the construction of the Alhambra has preserved the character of an Arabic legend which dates from before the prophet.
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