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This now takes place in S. Peters, in a side-chapel adorned with two arazzi; one representing Leonardo Da Vinci's last supper is placed behind the benches prepared for the priests whose feet are to be washed by the Pope: and the other, which represents Providence seated on the globe between Justice and Charity, above two lions holding banners of the church, is placed over the throne.

If Raphael had less originality than Michelangelo or Leonardo, if Leonardo was the first artist to obtain complete mastery over the expression of the face and Michelangelo over the drawing of the figure, Raphael was able to profit at once by whatever they accomplished.

This is the man with whom we have to contend." "Are there no faults?" thundered Giustinian Giustiniani, while the others listened disconcerted. "A soldier seeks for weak spots in the armor." "I know him," said Leonardo Donato, "and there is one fault. It limits his power to achieve; it increases his absolutism. It is near-sightedness smallness of vision."

The earliest work on Algebra used in Italy was a translation of the MS. treatise of Mahommed ben Musa of Corasan, and next in order is a MS. written by a certain Leonardo da Pisa in 1202.

Giorgione made many other portraits which are scattered throughout many parts of Italy; all very beautiful, as may be believed from that of Leonardo Loredano, painted by Giorgione when Leonardo was Doge, which I saw exhibited on one Ascension day, when I seemed to see that most illustrious Prince alive.

Thus, a short time ago, I read in an English cyclopædia the doctrine of the origin of Blue. First came the correct view of Leonardo da Vinci, but then followed, as quietly as possible, the error of Newton, coupled with remarks that this was to be adhered to because it was the view generally adopted." I could not help laughing with surprise when I heard this.

Leonardo himself had been so erratic, produced so little, and so few of his pictures survive, that many know him best in his pupils' work, or through copies and engravings of his great 'Last Supper' a picture that became an almost total wreck upon the walls of the Refectory in Milan, for which it was painted.

He was received by the young monarch with every mark of respect, loaded with favors, and a pension of 700 gold crowns settled on him for life. At the famous conference between Francis I. and Leo X., at Bologna, Leonardo attended his new patron, and was of essential service to him on that occasion.

Leonardo makes Judas leave his seat to ask if it is he that is meant that being the dramatic moment chosen by this prince of painters: Castagno calls attention to Judas as an undesirable member of the little band of disciples by placing him apart, the only one on his side of the table; which was avoiding the real task, since naturally when one of the company was forced into so sinister a position the question would be already answered.

I have to tell them about Italy, and they ask me absurd questions about Michael Angelo or Titian, Leonardo or Watteau.... The house party is a large one, and we have people to dinner every day; and in the evening the drawing-room, with its grim oak and escutcheons and rich modern furniture, is a pretty sight indeed.