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Updated: June 22, 2025


I'd like to know that. Han they done as they'd be done by for us?" But Wilson was no arguer; no speechifier, as he would have called it. So Barton, seeing he was likely to have it his own way, went on. I say, our labour's our capital, and we ought to draw interest on that. They get interest on their capital somehow a' this time, while ourn is lying idle, else how could they all live as they do?

You've got labour down and gouged it, and now labour's got you down and is gouging you, that's all, and you're squealing." Every man in the group broke out in indignant denials that labour had ever been gouged. "No, sir!" Garfield was shouting. "We've done the best for labour. Instead of gouging it, we've given it a chance to live. We've made work for it.

This is the historic incident of the Thames which I desire to rescue from the oblivion that has overtaken many greater matters. Mr. Sloper, on his return to Labour's Retreat, and when he was somewhat recovered in nerves and health, sued Joe Westlake in the Whitechapel County Court, in action of tort, laying his damages at the moderate sum of fifty pounds. Mr.

It is marked by youthfulness and exuberance of imagination, by extravagance of language, and by the frequent use of rimed couplets with his blank verse. The period dates from his arrival in London to 1595. Typical works of this first period are his early poems, Love's Labour's Lost, Two Gentlemen of Verona, and Richard III. A period of rapid growth and development, from 1595 to 1600.

The PRIME MINISTER, it may not be generally known, recruits his energies by frequent perusal of the plays of SHAKSPEARE. At present he is conducting a correspondence with Sir SIDNEY LEE and Professor GOLLANCZ on the esoteric significance of Labour's Love's Lost. Mr. WINSTON CHURCHILL is a voracious novel-reader of catholic tastes.

Then comes Lucrece . In 1598 Love's Labour's Lost, printed as "corrected and augmented" by "W. Shakespere." And so on with all the rest. Criticism of the learning and splendour of the two poems follows.

The critic who holds this view, and finds it equally advantageous to commence a study of Shakspere's work by taking "The Tempest" or "Love's Labour's Lost" as his text, is about as judicious as the botanist who would enlarge upon the structure of the seed-pod without first explaining the preliminary stages of plant growth, or the architect who would dilate upon the most convenient arrangement of chimney-pots before he had discussed the laws of foundation.

As "Love's Labour's Lost" is an early example of a plot woven out of masked allusions to current topics, so even as definitely plotted a comedy as "The Merchant of Venice" here and there worked in an animating shred of contemporary reference. After Dr.

"And see the servants met, Their daily labour's o'er; And with the jest and song they set The kitchen in a roar." MR. PECK kept around him four servants besides Currer, of whom we have made mention: of these, Sam was considered the first.

I now understand that in the warm Rossetti-language this did not mean that there was anything specially reminiscent of the Bard of Avon in this book, but simply that it was a monstrous fine production, and worthy of all attention. But at the time I expected, from such a title, something in the way of a belated Midsummer Night's Dream or Love's Labour's Lost.

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