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Updated: June 26, 2025
The real conquest is that over affection not taken by surprise when, like Heloisa, a woman gives up all the world, deliberately, for love. I do not now consider the wisdom or virtue of such a sacrifice, I only contend that it was a sacrifice to affection, and not merely to sensibility, though she had her share.
This was carrying on the work which had already been begun in the New Heloïsa, as we have seen, but in the Emilius it is pushed with a gravity and a directness, that could not be imparted to the picture of a fanciful and arbitrarily chosen situation.
Yet within three years of this miserable epoch he had completed not only the New Heloïsa, which is the monument of his fall, but the Social Contract, which was the most influential, and Emilius, which was perhaps the most elevated and spiritual, of all the productions of the prolific genius of France in the eighteenth century.
"Emile," which has even less structure of fiction than the "New Heloisa," is a treatise on education, or rather on the ideal education, for Rousseau distinctly disclaims the intention of writing a handbook. It is on the whole the most agreeable and the most useful of the works of its author; although not without deplorable marks of his baseness.
The characters seem as stiff as some of the language, to us who are accustomed to an Asiatic luxuriousness of delineation. Yet the New Heloïsa was nothing less than the beginning of that fresh, full, highly-coloured style which has now taught us to find so little charm in the source and original of it.
I felt this inconsequence in all its force, I taxed myself with it, I blushed over it, and was overcome with mortification; but nothing could restore me to reason." He adds that perhaps on the whole the composition of the New Heloïsa was turning his madness to the best account.
But it should be remembered that in the early days of fiction novels were so few that to occupy a long time in the reading was not an impediment to the popularity of one of them. If we may believe Rousseau, the "New Heloisa" produced a great sensation. All Paris was impatient for its appearance.
From the days of Hypatia to those of the Reformation, the illustrious Heloisa is almost the only woman to whom any such achievement might have been possible; and we know not how great a capacity of speculation in her may have been lost to mankind by the misfortunes of her life.
Property, in every page of the New Heloïsa, is held in full respect; the master has the honourable burden of patriarchal duty; the servant the not less honourable burden of industry and faithfulness; disobedience or vice is promptly punished with paternal rigour and more than paternal inflexibility.
Yet there is no hint in the New Heloïsa of the socialism which Morelly and Mably flung themselves upon, as the remedy for all these desperate horrors.
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