Vietnam or Thailand ? Vote for the TOP Country of the Week !
Updated: May 7, 2025
You finish your score! and in the meantime let Hartel or some one else publish the poem as a forerunner. How about the performance of "Tannhauser" at Berlin? I quite approve of your exceptional demand of 1,000 thalers for the same reasons which induced you to make that demand, and I thank you cordially for the artistic confidence with regard to the preparations which you have placed in me.
I tried to show him as clearly as possible that this matter ought to be looked upon as a grand ENTERPRISE rather than as a common COMMERCIAL SPECULATION, and that the firm of Breitkopf and Hartel, which already possessed LOHENGRIN and the three operatic poems, would, in my opinion, be the most eligible for that purpose.
The three most valued treasures which adorned my house were a concert grand piano by Breitkopf and Hartel, which I had bought with much pride; a stately writing- desk, now in possession of Otto Kummer, the chamber-music artist; and the title-page by Cornelius for the Nibelungen, in a handsome Gothic frame the only object which has remained faithful to me to the present day.
Frau Burde-Ney told me lately when she was "starring" here, that she intended to go to Paris for a few days, in order to study Isolde with you. A thousand thanks for the score which Hartel has sent me. You know best how all this is sung from my very soul. Let me know when convenient what you consider most desirable in regard to the performance of "Tristan."
Probably Joachim and Franz will come with me. If it is not too much trouble, notify my arrival at Winterthur to Kirchner and Eschmann, whose personal acquaintance I should like to make. I have just received from Hartel your portrait, which seems to me more like than the previous one.
My meaning was, that the Grand Duke should take the place of Hartel, should purchase the work from me, and pay by instalments as the score neared completion; he would thus become the owner, and, later on, could if he liked cover his expenses through a publisher. Liszt understood me very well, but could not refrain from dissuading me from taking up such an attitude towards his Royal Highness.
Hartel must do it. If he should prefer to advance me 1,000 thalers on account of my receipts, it will suit me equally well. He can control those receipts, and I will give orders that all payments of honorarium are to be made to X. till the money has been returned. Whichever way he likes will suit me, only let me get out of this miserable condition, which makes me feel like a galley-slave.
By Easter at the latest, and perhaps sooner, I shall ask Hartel for a considerable sum on account of the first act, and promise faithfully to return the money then. Please consider from whom, and how, you can get the money for me. Send me the money, and let me know at the same time where you can meet me, at Strassburg or in Paris. Farewell! Au revoir very soon. Your
That musician was Beethoven, to whom Rochlitz bore a commission for music to "Faust" from Breitkopf and Hartel in 1822. The Titan read the proposition and cried out: "Ha! that would be a piece of work! Something might come of that!" but declined the task because he had the choral symphony and other large plans on his mind.
What I laid particular stress on with Hartel, apart from the intrinsic importance of the whole quality and essence of your work, was the possibility and the all but absolute certainty of its performance, which of course is denied on all sides.
Word Of The Day
Others Looking