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Updated: June 1, 2025


Isn't the word 'food' polite enough for him?" giggled Joy. "I wonder who he is?" Kit was puzzled by the man. He did not belong to the desert, of that she was sure. As if in answer to her thought, the stranger announced: "I am Anton Gillette of Dorsey College. I'm on an exploring expedition." "A professor!" gasped Joy in a low voice. "He'll spoil all our fun.

About a mile from the claim, they met Professor Gillette. He had been far over one of the hills in search of the ruins. Half a dozen arrowheads were his reward. He was preparing a belated dinner in the creek-bed, over a smouldering fire. The girls were impatient to go on, and dragged the Judge away from his friend. "Come on up over that hill when you finish your lunch," invited the Judge.

"Ah, that's interesting!" exclaimed the professor rubbing his hands together in his excitement. "The Mexicans believe it to a man," broke in Kit. "They will hardly come into the canyon at night, especially if they have anything on their conscience. Some white men are afraid of that ghost. Maybe you believe in ghosts yourself, Professor Gillette?" "No, I'm afraid not.

Anybody who has seen the Grand Duke Nicholoevitch quietly accepting the advice of General Ruski under heavy artillery fire, will realize Blinks' manner to a nicety. And, oddly enough, neither of them, I am certain, has ever had any larger ideas about the history of the Civil War than what can be got from reading Uncle Tom's Cabin and seeing Gillette play Secret Service.

Ah, Gillette, we shall be rich, happy! There is gold in these brushes!" Suddenly he became silent. His grave and earnest face lost its expression of joy; he was comparing the immensity of his hopes with the mediocrity of his means. The walls of the garret were covered with bits of paper on which were crayon sketches; he possessed only four clean canvases.

It would hasten matters very much if I could get some reliable information as to the location of the village." "And are you really going to hunt for the village after that?" Bet's eyes were glowing. "Yes, I'm not afraid of the curse. I'll find that village. Alicia is expecting me to. I must make good." "That's the way to talk, Professor Gillette!

Some of his dramatic methods were so far in advance of his time that they puzzled or disgusted many of his patrons, but without doubt he profoundly influenced the art of the American stage. Men like William Gillette and Clyde Fitch quite frankly acknowledged their indebtedness to him.

If for economic or social reasons any of this is impossible, there is a weakness in society that calls for prompt repair. STARR: First Steps in Human Progress, pages 149-158. JESSOPP: The Coming of the Friars, pages 87-104. GILLETTE: Constructive Rural Sociology, pages 170-178. CARNEY: Country Life and the Country School, pages 18-38.

MCKEEVER: Farm Boys and Girls, pages 171-196, 275-305. GILLETTE: Rural Sociology, pages 20-31. "Country Life," Annals of American Academy, pages 58-68. KERN: Among Country Schools, pages 129-157. FORD: Co-operation in New England, pages 87-185. COULTER: Co-operation Among Farmers, pages 3-23. HERRICK: Rural Credits, pages 456-480.

Gillette derived his narrative material, Holmes is delineated largely by a very different method, the method, namely, of expository comment written from the point of view of Doctor Watson.

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