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Updated: June 14, 2025
'The conclusion of the essay on Urn-Burial, says Carlyle, 'is absolutely beautiful: a still elegiac mood, so soft, so deep, so solemn and tender, like the song of some departed saint an echo of deepest meaning from the great and mighty Nations of the Dead. Sir Thomas Browne must have been a good man. The Garden of Cyrus is past all description of mine. 'The Garden of Cyrus must be read.
Godfrey, grandson of Ivar, and Tomar, son of Algi, took command at Dublin, and Limerick, infusing new life into the remnant of their race. This was Murkertach, fondly called by the elegiac Bards, "the Hector of the West," and for his heroic achievements, not undeserving to be named after the gallant defender of Troy.
In Monday's concert Chopin had chosen in preference those of his works which swerve more from the classical forms. He played neither concerto, nor sonata, nor fantasia, nor variations, but preludes, studies, nocturnes, and mazurkas. Addressing himself to a society rather than to a public, he could show himself with impunity as he is, an elegiac poet, profound, chaste, and dreamy.
The Augustan age furnishes a series of brilliant poets who united the artificial elegiac with the expression of real feeling; and one of them, Ovid, has by his exquisite formal polish raised the Latin elegiac couplet to a popularity unparalleled in imitative literature.
Langton, deeply as he had resented the misrepresentation which had cost him his daughter, was not a man to do anything which might give any opening for gossip; he repressed his wife's tendency to become elegiac on her daughter's account, and treated Mark in public as before.
I can the less avoid this question because there are masterpieces, both in the elegiac and in the satirical kind, where the authors seek and preach up a nature quite different from that I am discussing in this essay, and where they seem to defend it, not so much against bad as against good morals.
The first representative of this school that we may mention was Callinus, an Ephesian of the latter part of the eighth century B.C., to whom the invention of the elegiac distich, the characteristic form of the Ionian poetry, is attributed.
What is due to him, and to him alone, is the honour of having embroidered on the naked old canvas of comic action those flowers of elegiac beauty which vivify and diversify the scene of Plautus as reproduced by the art of Shakespeare.
If those elegiac natures which long to see them return could pass but one hour in the midst of them, they would gasp to be back in modern air. That in a great historical process of this kind flowers of exquisite beauty may perish, without being made immortal in poetry or tradition, is undoubtedly true; nevertheless, we cannot wish the process undone.
For there is no common term we could apply to the mimes of Sophron and Xenarchus and the Socratic dialogues on the one hand; and, on the other, to poetic imitations in iambic, elegiac, or any similar metre.
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