Vietnam or Thailand ? Vote for the TOP Country of the Week !
Updated: May 3, 2025
But the composer has his tragic side, and therein he reminds me of Dostoïevsky both men died during the same year who but Dostoïevsky, if he had been a composer, could have written the malediction scene in Boris? As a matter of fact he did write a play on the same historical subject, but it has disappeared.
The "inspissated gloom" of his work, its tenebrous gulfs and musical vertigoes are true indices of his morbid pathology. He was of a pious nature, as was Dostoïevsky; but he might have subscribed to the truth of Remy de Gourmont's epigram: "Religion est l'hôpital de l'amour." Love, however, does not play a major rôle in his life or art, yet it permeates both, in a sultry, sensual manner.
These books of Dostoievsky must always take their place in this great roll, because, though he arrives at no conclusion and utters no oracle, the atmosphere he throws round us is the atmosphere in which Life and Death are "equal;" the gestures his people make, in their great darkness, are the gestures of that which goes upon its way, beyond Good and beyond Evil!
His recollections of his Dead House are harrowing, and make the literature of prison life, whether written by Hugo, Zola, Tolstoy, or others, like the literary exercise of an amateur. It is this sense of reality, of life growing like grass over one's head, that renders the novels of Dostoïevsky "human documents."
The present War has the same meaning as all the wars since Christ came until Bismarck. This war was prophesied by Dostojevsky forty years ago. Dostoievsky was the only contemporary man towards whom Nietzsche felt respect and even fear because of his deep thought and clairvoyance.
All Dostoïevsky is in his phrase: "There are no ugly women" put in the mouth of the senile, debauched Karamazov, a companion portrait to Balzac's Baron Hulot. His love for women has a pathological cast. His young girls discuss unpleasant matters.
Turgenieff divined in him Sadistic predispositions; he was certainly a morbid man; while Tolstoy wrote of him: "It never entered my head to compare myself with him.... I am weeping now over the news of his death ... and I never saw the man." Dostoïevsky was a profound influence on the art and life of Tolstoy.
Stephan Trophinovitch reading the Miracle of the Swine with his female Colporteur; Raskolnikoff reading the Miracle of the Raising of Lazarus with his prostitute Sonia, are scenes that might strike an English mind as mere melodramatic sentiment, but those who have entered into the Dostoievsky secret know how much more than that there is in them, and how deep into the mystery of things and the irony of things they go.
Dostoïevsky was an epileptic, and the nature of Moussorgsky's "mysterious nervous ailment" is unknown to me; possibly it was a mild or masked epilepsy. Moussorgsky was said to have been a heavy drinker his biographer speaks of him as being "ravaged by alcohol" a failing not rare in Russia.
The new translation of Dostoïevsky in English by Constance Garnett is significant. A few years ago Crime and Punishment was the only one of his works well known. George Moore once had dubbed the novelist, "Gaboriau with psychological sauce." Since then, Mr. Moore has contributed a charming introduction to Poor Folk, yet there is no denying the force and wit of his hasty epigram.
Word Of The Day
Others Looking