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Il Turco was a lover of the arts and of letters, and he did many works to enrich and beautify the city. He established the first printing-office in Mantua, where the first book printed was the "Decamerone" of Boccaccio.
But even had Chaucer owed the idea of his plan to Boccaccio, he would not thereby have incurred a heavy debt to the Italian novelist. There is nothing really dramatic in the schemes of the "Decamerone" or of the numerous imitations which it called forth, from the French "Heptameron" and the Neapolitan "Pentamerone" down to the German "Phantasus."
Strange paintings of hell and the devil, mostly taken from Dante's rhapsodies, cover the walls of these fantastic galleries, attributed to the venerable Giotto and Bufalmacco, whom Boccace mentions in his "Decamerone."
It is on the same plan as Boccaccio's "Decamerone," except that the story-tellers are fish-wives going up the Thames in a boat. Imitations of the Italian tales may be found in Hazlitt's "Shakespeare's Library," notably "Romeo and Julietta." Most of these are modernized versions of old tales. Among the characters of Ben Jonson are some good Euphuists.
For it must be remembered that mine was the case of the son of Filippo Balducci related by Messer Boccaccio in the merry tales of his Decamerone 1 who had come to years of adolescence without ever having beheld womanhood, so that the first sight of it in the streets of Florence affected him so oddly that he vexed his sire with foolish questions and still more foolish prayers.
"They please the ladies, you know," said Brantome, crossing over to the Duchesse de Guise, who held the "Decamerone" in her hand. "Some of the women of your house must appear in the book, madame," he said. "It is a pity that the Sieur Boccaccio did not live in our day; he would have known plenty of ladies to swell his volume "
You will read Tasso's 'Gierusalemme', and the 'Decamerone di Boccacio', with great facility afterward; and when you have read those three authors, you will, in my opinion, have read all the works of invention that are worth reading in that language; though the Italians would be very angry at me for saying so.
Certainly Cosimo de' Medici was not the first Florentine to retire from the city perhaps to Careggi, perhaps to S. Domenico, perhaps farther still; for already in Boccaccio's day we hear the praise of country life, his description of Villa Palmieri, for instance, when at the end of the second day of the Decamerone those seven ladies and their three comrades leave Poggio Gherardo for that palace "about two miles westward," whither they came at six o'clock of a Sunday morning in the year 1348.
Standing in a beautiful Piazza, itself the loveliest thing therein, dressed in the old black and white habit, it dreams of the past: it is full of memories too, for here Boccaccio one Tuesday morning, just after Mass in 1348, amid the desolation of the city, found the seven beloved ladies of the Decamerone talking of death; here Martin V, and Eugenius IV, fugitives from the Eternal City, found a refuge; here Beata Villana confessed her sins; here Vanna Tornabuoni prayed and the Strozzi made their tombs.
In her longing to glide over the waters that were getting golden with the level sun-rays, she thought of a story which had been one of the things she had loved to dwell on in Boccaccio, when her father fell asleep and she glided from her stool to sit on the floor and read the `Decamerone. It was the story of that fair Gostanza who in her lovelorn-ness desired to live no longer, but not having the courage to attack her young life, had put herself into a boat and pushed off to sea; then, lying down in the boat, had wrapt her mantle round her head, hoping to be wrecked, so that her fear would be helpless to flee from death.
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