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So spake my Lady Bath; whom Sir Richard wisely answered not; for she was a terribly learned member of the college of critics, and disputed even with Sidney's sister the chieftaincy of the Euphuists; so Sir Richard answered not, but answer was made for him.
Euphues itself was a real and serious if somewhat misdirected effort at making a moralised culture fashionable, and at elevating; the English tongue into a medium of refined and polished expression. If the Euphuists included Armados among them, they numbered also their Birons and Rosalines.
It is on the same plan as Boccaccio's "Decamerone," except that the story-tellers are fish-wives going up the Thames in a boat. Imitations of the Italian tales may be found in Hazlitt's "Shakespeare's Library," notably "Romeo and Julietta." Most of these are modernized versions of old tales. Among the characters of Ben Jonson are some good Euphuists.
Other critics have preferred to call them the fantastic or conceited school, the later Euphuists or the English Marinists and Gongorists, after the poets Marino and Gongora, who brought this fashion to its extreme in Italy and in Spain. The English conceptistas were mainly clergymen of the established church: Donne, Herbert, Vaughan, Quarles, and Herrick.
In the days of Queen Elizabeth there were in England certain writers who were called "Euphuists." They got this name from the title of a book, "Euphues," written by one of them, John Lyly. The chief characteristic of the writings of these Euphuists was the grandiose way in which they wrote of the simplest things. Their writings were full of metaphors and figures of speech.
For a time Euphuism had it all its own way. Elizabeth was the most affected and detestable of Euphuists; and "that beauty in Court which could not parley Euphuism," a courtier of Charles the First's time tells us, "was as little regarded as she that now there speaks not French."
The first Euphuists were looked upon as "refiners of speech," and Queen Elizabeth and the ladies at her court did their best to speak as much in the manner of Euphues as they could. But all men at all times are unconscious Euphuists, in so far as they try to say ugly and unpleasant things in a way which will make them sound pleasant.
It is needless to mention Sidney and the whole tribe of Euphuists; for Shakspeare himself, the greatest poet that ever lived, falls into the same fault whenever he means to be particularly fine. While he abandons himself to the impulse of his imagination, his compositions are not only the sweetest and the most sublime, but also the most faultless, that the world has ever seen.
This is a grotesque satire on the vices and the eccentricities of the age. As a specimen of prose style it is remarkable for its spirit and "go," qualities which may enable us to forget how turbid, ungraceful, and harsh it is. Nash had now dropped the mannerism of the Euphuists; he had hardly gained a style of his own.
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