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For some reason not very obvious this collection of verses was not published till 1631 when it was issued by Quevedo, who hoped that it would help to stem the current of Gongorism in Spain. The poems, printed forty years after the author's death, appeared too late to affect the public taste. Góngora himself had died in 1627, but his influence was undiminished.
In a word, we consider Miss Barrett to be a woman of undoubted genius and most unusual learning; but that she has indulged her inclination for themes of sublime mystery, not certainly without displaying great power, yet at the expense of that clearness, truth, and proportion, which are essential to beauty; and has most unfortunately fallen into the trammels of a school or manner of writing, which, of all that ever existed Lycophron, Lucan, and Gongora not forgotten is most open to the charge of being vitiis imitabile exemplar.
Here is a spike of Gongora maculata, bearing no faint resemblance to a quantity of brown insects with expanded wings collected round the stem. Close to it are some Brassias, mimicking with equal fidelity insects of a paler colour, besides hundreds of others equally curious and beautiful.
The dramatists who gathered round Lope as their leader regarded Cervantes as their common enemy, and it is plain that he was equally obnoxious to the other clique, the culto poets who had Gongora for their chief.
Letters which he carried gave him admission to the works of art; but excepting securing the friendship of Fonesca, a noted patron of art, and an order to paint a portrait of the poet Gongora, he was unnoticed, and so he returned in a few months to Seville. Subsequently Fonesca interested the minister Olivarez in his behalf.
When Alarcon, in 1634, was chosen by the Court to write a festival drama, and, at the same time, publishing the second part of his dramatic works, vehemently reclaimed plays for which, under disguised names, some of his contemporaries had taken credit to themselves, there was an angry combination against him, in which Lope de Vega, Gongora, and Quevedo were found taking part.
Other critics have preferred to call them the fantastic or conceited school, the later Euphuists or the English Marinists and Gongorists, after the poets Marino and Gongora, who brought this fashion to its extreme in Italy and in Spain. The English conceptistas were mainly clergymen of the established church: Donne, Herbert, Vaughan, Quarles, and Herrick.
The men whose names by common consent stand in the front rank of Spanish literature, Cervantes, Lope de Vega, Quevedo, Calderon, Garcilaso de la Vega, the Mendozas, Gongora, were all men of ancient families, and, curiously, all, except the last, of families that traced their origin to the same mountain district in the North of Spain.
In order to live quietly and support themselves in those days of ignorance, many poets sought the shadow of the Church and wore its vestments. Lope de Vega, Calderon, Tirsode Molina, Miradamerscua, Tarriga, Argensola, Gongora, Rioja, and others were priests, many of them after stormy lives.
Romances and Tales; Cervantes, and other Writers of Fiction. 6. Historical Narrative Poems; Ercilla. 7. Lyric Poetry; the Argensolas; Luis de Leon, Quevedo, Herrera, Gongora, and others. 8. Satirical and other Poetry. 9. History and other Prose Writing; Zurita, Mariana, Sandoval, and others. French Influence on the Literature of Spain. 2.
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