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Updated: June 19, 2025
"They disappeared and nobody made any inquiries about them," added Don Filipo with a severe look at the gobernadorcillo, who dropped his eyes. "Look for that woman," Crisostomo ordered the servants. "I promised to try to learn where her sons are." "They disappeared, did you say?" asked the alferez. "Your sacristans disappeared, Padre?"
The same gallery affords several instances of similar decorative pieces by other Venetian artists which serve admirably to show the great gulf fixed in quality between Giorgione's work and that of the Schiavones, the Capriolis, and others who imitated him. See postea, p. 63. Bellini adopted it later in his S. Giov. Crisostomo altar-piece of 1513.
Your friend, Ibarra had received a perfumed note which Andeng, Maria Clara's foster-sister, delivered to him on the evening of the first day of the fiesta. This note said: "CRISOSTOMO, It has been over a day since you have shown yourself. I have heard that you are ill and have prayed for you and lighted two candles, although papa says that you are not seriously ill.
"Who's there?" asked the voice of Maria Clara. The voices became hushed and the door did not open. "It's I, may I come in?" called the young man, his heart beating violently. The silence continued. Then light footsteps approached the door and the merry voice of Sinang murmured through the keyhole, "Crisostomo, we're going to the theater tonight. Write what you have to say to Maria."
Howells S. Giovanni Crisostomo Piombo and Giorgione A Sacristan artist Marino Faliero's house SS. Apostoli and Tiepolo Venetian skittles A broad walk Filled in canals The Rialto Bridge S. Giacomo di Rialto The two Ghettos The Rialto hunchback Vegetables and fruits The fish market Symmetrical irony S. Giovanni Elemosinario A busy thoroughfare Old books The convivial gondoliers.
"My father, my father who is now dead," he replied, with that same peculiar smile. "And who taught your father?" "Don Saturnino, the grandfather of Don Crisostomo." "I did not know that Don Saturnino " "Oh, he knew a good many things.
"What do you want?" questioned the curate's eyes. "Padre, I'm the brother of the man who was killed on the day of the fiesta," began Lucas in tearful accents. The curate recoiled and murmured in a scarcely audible voice, "Well?" Lucas made an effort to weep and wiped his eyes with a handkerchief. "Padre," he went on tearfully, "I've been to Don Crisostomo to ask for an indemnity.
Correggio, Raphael, and Giorgione died at the ages of forty, thirty-seven, and thirty-three years respectively. Those whom the gods love die young! Berenson: Venetian Painters, p. 29. I should prefer to substitute "ripening" for "ripened." Fry: Giovanni Bellini, p. 44. In S. Giovanni Crisostomo, Venice. It dates from 1513. Mary Logan: Guide to the Italian Pictures at Hampton Court, p. 13.
"Ah, very true," answered Capitan Tiago, and then in a different tone he exclaimed, "Don Crisostomo!"
"Do you mean Crisostomo Ibarra?" asked another. "The most likely and most just thing is that he will be hanged, like those of '72." "He's going to be deported," remarked the old lieutenant, dryly. "Deported! Nothing more than deported? But it will be a perpetual deportation!" exclaimed several voices at the same time.
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