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Updated: June 14, 2025


Her answer was as prompt as my inquiry: the article, which had been barely begun, was a mere heartbreaking scrap. She explained that Corvick had just settled down to it when he was interrupted by her mother's death; then, on his return, he had been kept from work by the engrossments into which that calamity plunged them.

Corvick had no hand, I knew, for the big brush of the correspondent, but that was his brother-in-law's affair, and the fact that a particular task was not in his line was apt to be with himself exactly a reason for accepting it. He was prepared to out-Herod the metropolitan press; he took solemn precautions against priggishness, he exquisitely outraged taste.

What he would have said, had he reviewed the new book, was that there was evidently in the writer's inmost art something to be understood. I hadn't so much as hinted at that: no wonder the writer hadn't been flattered! I asked Corvick what he really considered he meant by his own supersubtlety, and, unmistakably kindled, he replied: "It isn't for the vulgar it isn't for the vulgar!"

She had indeed no sense of humour and, with her pretty way of holding her head on one side, was one of those persons whom you want, as the phrase is, to shake, but who have learnt Hungarian by themselves. She conversed perhaps in Hungarian with Corvick; she had remarkably little English for his friend.

At the core of my disconcerted state for my wonted curiosity lived in its ashes was the sharpness of a sense that Corvick would at last probably come out somewhere. He made, in defence of his credulity, a great point of the fact that from of old, in his study of this genius, he had caught whiffs and hints of he didn't know what, faint wandering notes of a hidden music.

I hesitated. "About India?" "About fiddlesticks! About Vereker about the figure in the carpet." "But, as you say, we shall surely have that in a letter." She thought like one inspired, and I remembered how Corvick had told me long before that her face was interesting. "Perhaps it won't go in a letter if it's 'immense." "Perhaps not if it's immense bosh.

None the less it represented the kind of problem for which Corvick had a special aptitude, drew out the particular pointed patience of which, had he lived, he would have given more striking and, it is to be hoped, more fruitful examples. He at least was, in Vereker's words, a little demon of subtlety.

What he would have said, had he reviewed the new book, was that there was evidently in the writer's inmost art something to BE understood. I hadn't so much as hinted at that: no wonder the writer hadn't been flattered! I asked Corvick what he really considered he meant by his own supersubtlety, and, unmistakeably kindled, he replied: "It isn't for the vulgar it isn't for the vulgar!"

The happy pair went down to Torquay for their honeymoon, and there, in a reckless hour, it occurred to poor Corvick to take his young bride a drive. He had no command of that business: this had been brought home to me of old in a little tour we had once made together in a dogcart.

I was therefore to be a good boy and not try to peep under the curtain before the show was ready: I should enjoy it all the more if I sat very still. I did my best to sit very still, but I couldn't help giving a jump on seeing in The Times, after I had been a week or two in Munich and before, as I knew, Corvick had reached London, the announcement of the sudden death of poor Mrs. Erme.

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