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To make sure of the present name, I questioned some half a dozen peasants, who all named the river Basenzio or Basenz'; a countryman of more intelligent appearance assured me that this was only a dialectical form, the true one being Busento.
Do the rivers Busento and Crati still keep the secret of that "royal sepulchre, adorned with the splendid spoils and trophies of Rome"? It seems improbable that the grave was ever disturbed; to this day there exists somewhere near Cosenza a treasure-house more alluring than any pictured in Arabian tale.
Along the banks stood tall poplars, each a spire of burnished gold, blazing against the dark olive foliage on the slopes behind them; plane trees, also, very rich of colour, and fig trees shedding their latest leaves. Now, tradition has it that Alaric was buried close to the confluence of the Busento and the Crati. If so, he lay in full view of the town.
How often had I longed to see this river Busento, which the "labour of a captive multitude" turned aside, that its flood might cover and conceal for all time the tomb of the Conqueror! I saw it in the light of sunrise, flowing amid low, brown, olive-planted hills; at this time of the year it is a narrow, but rapid stream, running through a wide, waste bed of yellow sand and stones.
He felt his death coming and ordered his men to bury him in the bed of the river Busento and to put into his grave the richest treasures that he had taken from Rome. This order was carried out. A large number of Roman slaves were set to work to dig a channel and turn the water of the Busento into it. They made the grave in the bed of the river, put Alaric's body into and closed it up.
He went through life without ever having been shaken to the depths of his nature and was, unfortunately, not of so Olympian a calmness that, like Goethe, he could present the world in plastic repose and sublimity. With all his refinement and fervor he has left but few poems of lasting interest, and of these The Grave in the Busento is perhaps the best.
There was little else that was enjoyable at the festival concert with the exception of a cantata, Das Grab im Busento by Weisheimer, and a regular scandal arose in connection with Drasecke's 'German March. For some obscure reason Liszt adopted a challenging and protecting attitude towards this strange composition, written apparently in mockery by a man of great talent in other directions.
But the Goths are said to have slain all their prisoners who took part in the work, to ensure secrecy. Are we to suppose that Consentia was depopulated? On any other supposition the story must be incorrect, and Alaric's tomb would have to be sought at least half a mile away, where the Busento is hidden in its deep valley. Gibbon, by the way, calls it Busentinus; the true Latin was Buxentius.
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