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Updated: May 8, 2025
Browne's 'brushwork' is certainly unequalled in English literature, except by the very greatest masters of sophisticated art, such as Pope and Shakespeare; it is the inspiration of sheer technique.
There is no tentative, undecisive brushwork, such as we often see in the subtle search for the unrevealed, which makes or mars Mr. Yeats' work. He is at home in his peculiar world, while the other is always seeking for it. "A Sunset on Malahide Sands" shows a greater intensity than is usual even in Mr. Hone's work. There is something thrilling in this twilight trembling over the deserted world.
The same freedom of brushwork characterises another "Annunciation," of probably the same time, and treated in much the same manner, although less stately than that of the Uffizi. This is one part of a predella formerly belonging to the Mancini Collection of Citt
There is, indeed, a beauty of words and rhythms, of brushwork, of modeling; but if the poet does not love beautiful thoughts and acts, no verbal power can make his product great; and if the artist paints trivial or vulgar subjects he wastes his genius.
Larsson's brushwork is light and flowing; he has, indeed, a certain French vivacity of technique, but his motives and his personal point of view are so purely Scandinavian as to leave no other impression on the mind. Nor is he merely the painter of the Swedish type. He is the painter of intimate home life and character as found within his own walls.
Of his brushwork we are only able to judge by the two doubtful versions at the National Gallery and the Wallace Collection respectively, of the fine portrait at Versailles of Cardinal Fleury.
He is the patron saint of all pilgrims from the city's struggle, where they found no oases of rest. He melts "pasts" and family skeletons and hidden stories of any kind whatsoever into the blue as a background with the abandoned preoccupation of his own brushwork.
Aside from nonsense they had common interests in cultural and daily life, from the Eternal Painter's brushwork to how to dress a salad.
Reading On the Horse. Poetry Kindness to Animals. Paper Cutting The Bell of Atri. Paper Folding A Trough. Free-arm Drawing A Horseshoe. Clay Modelling A Carrot for the Horse. Brushwork A Turnip for the Horse. Brown Paper Drawing A Stable. Underneath it all the truth was growing, namely, the need of making associations and so unifying the children's lines.
These two are very fine and bold, in composition and brushwork. In the first the Saint, clad in armour, is seated on the characteristic white horse, with a man-at-arms behind him, and divides his cloak with the nude beggar. The background is a broadly-painted landscape.
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