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Updated: July 28, 2025


"Do you think there is any chance of marrying her?" asked Carl, with interest. "I think my chance is pretty good, as the girl won't look at anybody else." "Is Mr. Brandes wealthy?" "Yes, the old man's pretty well fixed, worth nearly half a million, I guess." "Perhaps he will take you into the firm," suggested Carl. "Very likely. That's what I'm working for."

Acting on his suggestion, Brandes and Benzenberg, two students at the University of Göttingen, began in 1798 to determine the heights of falling stars by simultaneous observations at a distance. They soon found that they move with planetary velocities in the most elevated regions of our atmosphere, and by the ascertainment of this fact laid a foundation of distinct knowledge regarding them.

For the chapter on Pan Tadeusz by George Brandes, than whom there have been few more competent judges of modern European literature, is little more than an expansion of Krasinski’s pithy sentences. The cosmopolitan critic echoes the patriotic Pole when he writes: “In Pan Tadeusz Poland possesses the only successful epic our century has produced.”

Brandes has insisted, again and again, on the close relation between Brand and other works of Ibsen and the famous Either-Or of Kierkegaard; "it actually seems," he says, "as though Ibsen had aspired to the honor of being called Kierkegaard's poet."

In the evening, when it had grown dark and the moon was shining, he was seen limping about the cemetery in the snow; he did not pray over any one grave, nor did he go very close to any, but he seemed to gaze fixedly at some of them from a distance. Thus he was found by Forester Brandes, the son of the murdered forester, whom the Baron had sent to bring John to the castle.

He had been arrested in Düsseldorf at the same time that Marx and his circle had been arrested at Cologne. He was then only twenty-three years of age. Yet his defense of his actions in court is said to have been a masterpiece. Even the critic George Brandes has spoken of it as the most wonderful example of manly courage and eloquence in a youth that the history of the world has given us.

Think it over, whether you can say that?" A confused muttering was the forester's only answer; like most blunt people, he repented easily. He turned, exasperated, and started toward the shrubbery. "No, sir," called Frederick, "if you want to follow the other foresters, they've gone up yonder by the beech-tree." "By the beech-tree!" exclaimed Brandes doubtfully.

This was ascertained from a stone found in the neighbourhood, inscribed in nâgari characters. Two versions of the inscription were made one by the Dutch scholar, Dr. J. Brandes, and the other by the Indian, Dr. R. G. Bhandarkar. Dr. I. Groneman makes use of both versions to compile the following:

Another quotation, this time from a letter to Brandes, must be given to show what Ibsen's attitude was at this moment to his fatherland and to his art: "When I think how slow and heavy and dull the general intelligence is at home, when I notice the low standard by which everything is judged, a deep despondency comes over me, and it often seems to me that I might just as well end my literary activity at once.

The day was unusually warm for that time of the year; the air quivered; not a bird was singing; only the ravens croaked monotonously in the branches and opened their beaks to the air. Brandes was very tired. He took off his cap, heated through by the sun; and then he put it on again; but one way was as unbearable as another, and working his way through the knee-high underbrush was very laborious.

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