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It was discovered that a madrigal brought out by him was pirated from another Italian composer; whereupon Bononcini left England, humiliated to the dust, and finally died obscure and alone, the victim of a charlatan alchemist, who succeeded in obtaining all his savings. Another powerful rival of Handel was Porpora, or, as Handel used to call him, "old Borbora."

Of that exquisite and elegant scamp Bononcini, who was the great rival of Händel in the London operatic war, I find no amorous gossip, though Hawkins says he was the favourite of the Duchess of Marlborough, who gave him a pension of £500 per year, and had him live in her home until he was compelled to leave London, by various scandals attached to his repute as an honest gentleman.

The Montagus take a house at Twickenham Lady Mary's liking for country life Neighbours and visitors Pope Bononcini, Anastasia Robinson, Senesino Lord Peterborough Sir Geoffrey Kneller Henrietta Howard Lord Bathurst The Duke of Wharton His early history He comes to Twickenham His relations with Lady Mary Horace Walpole's reference to them Pope's bitter onsaught on the Duke An Epilogue by Lady Mary "On the Death of Mrs.

Bononcini, who was of a sour and jealous disposition, soon conceived a dislike for the gifted little fellow, and attempted to injure him by composing a piece for the harpsichord full of the most extraordinary difficulties, and then asking him to play it at sight. The boy, however, at once executed it without a mistake, and thus the malicious schemer was foiled by his own device.

Thence he went to Berlin to study the opera-school, where Ariosti and Bononcini were favorite composers. The first was friendly, but the latter, who with a first-rate head had a cankered heart, determined to take the conceit out of the Saxon boy. He challenged him to play at sight an elaborate piece.

Bononcini and Attilio Ariosti, his old acquaintances in Berlin, were also attracted by this new operatic venture to London, and their arrival was followed by a competition of a very novel character. The libretto of a new opera, "Muzio Scævola," was divided between the three composers. Attilio was to put the first act to music, Bononcini the second, and Handel the third.

From the year 1729 the career of Handel was to be a protracted battle, in which he was sometimes victorious, sometimes defeated, but always undaunted and animated with a lofty sense of his own superior power. Let us take a view of some of the rival musicians with whom he came in contact. Of all these Bononcini was the most formidable.

Pepusch was chiefly notable for his skill in arranging the popular songs of the day, and probably did more than any other composer to give the English ballad its artistic form. The name of Dr. Greene is best known in connection with choral compositions. His relations with Handel and Bononcini are hardly creditable to him. He seems to have flattered each in turn.

Some say that Signor Bononcini, Compared to Handel, is a ninny; Others aver that to him Handel Is scarcely fit to hold the candle. Strange that such difference should be 'Twixt tweedledum and tweedledee! When the withdrawal of both his rivals left Handel in sole possession of the field, he quarrelled with some of his principal performers, and thereupon ensued new scenes of discord.

The battle between Handel and Bononcini, as the exponents of German and Italian music, was also repeated in after-years between Mozart and Salieri, Weber and Rossini, and to-day is seen in the acrimonious disputes going on between Wagner and the Italian school. Bononcini's career in England came to an end very suddenly.