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Vishnu Sarma gives, in his apologues, the characteristics of the fit place for a wise man to live in, and enumerates among its necessities first "a Rajah" and then "a river." Democrats as we are, we can dispense with the first, but not with the second. A square mile even of pond water is worth a year's schooling to any intelligent boy. A boat is a kingdom.

His perception of the generation of contraries, of death out of life, and life out of death, that law by which, in nature, decomposition is recomposition, and putrefaction and cholera are only signals of a new creation; his discernment of the little in the large, and the large in the small; studying the state in the citizen, and the citizen in the state; and leaving it doubtful whether he exhibited the Republic as an allegory on the education of the private soul; his beautiful definitions of ideas, of time, of form, of figure, of the line, sometimes hypothetically given, as his defining of virtue, courage, justice, temperance; his love of the apologue, and his apologues themselves; the cave of Trophonius; the ring of Gyges; the charioteer and two horses; the golden, silver, brass, and iron temperaments; Theuth and Thamus; and the visions of Hades and the Fates fables which have imprinted themselves in the human memory like the signs of the zodiac; his soliform eye and his boniform soul; his doctrine of assimilation; his doctrine of reminiscence; his clear vision of the laws of return, or reaction, which secure instant justice throughout the universe, instanced everywhere, but specially in the doctrine, "what comes from God to us, returns from us to God," and in Socrates' belief that the laws below are sisters of the laws above.

Jesus explained to his intimate friends whatever was peculiar in his apothegms or in his apologues, and showed them his meaning stripped of the wealth of illustration which sometimes obscured it. Many of these explanations appear to have been carefully preserved. During the lifetime of Jesus, the apostles preached, but without ever departing far from him.

The work of Lokman, existing now only in Arabic, has caused some people to think that it is of Arabian origin; but it is really Persian, and of the tenth century B.C. His Apologues are considered the foundation on which Greek fable was reared. Ormuzd is worshiped in the sun, the stars, and in fire.

Immediately after his death he lived in the national mind for a time as primarily a martyr; then emphasis shifted to his humor and a whole literature of waggish tales and retorts and apologues assembled around his name; then he passed into a more sentimental zone and endless stories were multiplied about his natural piety and his habit of pardoning innocent offenders.

Many of us who loved French in early years have a warm corner in our hearts for "Numa Pompilius", but Florian will live as the second fabulist of France, to my own thinking twin of his forerunner. How full of wisdom, wit and sparkle are these apologues! Take, for instance, the following, which to the best of my ability I have rendered into our mother tongue

Fifteen moral and political sentences are illustrated in a series of apologues: but the composition is intricate, the narrative prolix, and the precept obvious and barren. Yet the Brachman may assume the merit of inventing a pleasing fiction, which adorns the nakedness of truth, and alleviates, perhaps, to a royal ear, the harshness of instruction.

This may be laughed at as too trifling to record; but it is a small characteristick trait in the Flemish picture which I give of my friend, and in which, therefore I mark the most minute particulars. And let it be remembered, that Aesop at play is one of the instructive apologues of antiquity. Talking of Rochester's Poems, he said, he had given them to Mr.

The use of fables or apologues has been approved in every age from ancient India to modern Europe. A fable represents the genuine characters of animals; and a skilful master might extract from Pliny and Buffon some pleasing lessons of natural history, a science well adapted to the taste and capacity of children.

His style is simple and touching, his versification easy and harmonious, and his descriptive talent extraordinary. His works consist chiefly of apologues and didactic and descriptive poems.