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For while he has made the human form more graceful than nature reveals it, he does not seem to have been able to present the dignity of the gods. Indeed, he is said in his art to have avoided representing mature age, and never to have ventured beyond unfurrowed cheeks. "But what Polyclitus lacked is ascribed to Phidias and Alcamenes.
It is taken from an old play of Marlow's, intitled, Lust's Dominion; or the Lascivious Queen, a Tragedy. The Young King; or the Mistake, a Tragi-Comedy, acted at the duke's theatre, and printed in 4to. in 1683. The design of this play is taken from the story of Alcamenes and Menalippa, in Calprenede's Cleopatra.
An hour after sunset I will meet you at the gate of bronze. Say naught to Manius of your coming or of this letter." "Temptress!" said he, crushing the sheet of scented vellum. "But she is beautiful," he added, wistfully. "She is like the Venus of Alcamenes. I would love well to look upon her again." He smoothed out the crumpled vellum. "'Say naught to Manius," he read again. "I like it not.
Of Paionios fortunately one statue survives in regard to which there can be no doubt. The Victory erected to the Olympian Zeus shows a tall goddess, strongly yet gracefully carved, posed forward with her drapery flattened closely against her body in front as if by the wind, and streaming freely behind. The masterpiece of Alcamenes, an Aphrodite, is known only by descriptions.
Contemporary with Pindar and Corinna were Phidias, Alcamenes, and many other sculptors, together with poets, philosophers, warriors, and statesmen; men whose names will rise superior to the lapse of time, and whose fame, like the rocky barriers of the ocean, on which the elements in vain expend their fury, will be of equal duration with the world itself.
It is clear that they must have had not merely similar tools and similar mechanical processes, but the same purposes and ideals. They must have had what we should call a collective personality. It is more than probable that among the workers on the Parthenon were Alcamenes and Agoracritus, two sculptors who rose to great fame.
Thus the Dionysus of Alcamenes is not the dreamy god of wine and pleasure that we find at a later age, but an august figure, bearded and enthroned, the giver of the riches of the earth and the wine, the god in whose honour all the great Dionysian festivals were held; the same sculptor's Hermes is the guardian of ways and gates, the giver of increase to flocks, not the youthful and athletic messenger of the gods.
Alcamenes has engraved this story, I imagine, because he learned from the lines of Homer that Pirithous was the son of Zeus, and knew that Theseus was fourth in descent from Pelops. There are also in bas-relief at Olympia most of the Labors of Hercules.
Historians are not writing fancy school essays; what they have to say is before them, and will get itself said somehow, being solid fact; their task is to arrange and put it into words; they have not to consider what to say, but how to say it. The historian, we may say, should be like Phidias, Praxiteles, Alcamenes, or any great sculptor.
According to the rule you have laid down, it may be said that Jupiter is always bearded, Apollo always beardless; that Minerva has gray and Neptune azure eyes; and, indeed, we must then honor that Vulcan at Athens, made by Alcamenes, whose lameness through his thin robes appears to be no deformity. Shall we, therefore, receive a lame Deity because we have such an account of him?
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