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Updated: May 15, 2025
Fillmore, to whom the Fugitive Slave Law denies the complete boon of an otherwise justly earned oblivion, had some dignity given to his administration by the presence of Everett. But in this late advertising-tour of a policy in want of a party, Cleon and Agoracritus seem to have joined partnership, and the manners of the man match those of the master. Mr.
And the sculptors themselves, in the fourth century, show more individuality of style. In the latter part of the fifth century the genius of Phidias had so dominated religious art that the works of his successors, men like Alcamenes and Agoracritus, could hardly be distinguished from his.
It is clear that they must have had not merely similar tools and similar mechanical processes, but the same purposes and ideals. They must have had what we should call a collective personality. It is more than probable that among the workers on the Parthenon were Alcamenes and Agoracritus, two sculptors who rose to great fame.
This belonged to the pedestal of a statue by Agoracritus, one of the most famous pupils of Phidias. The subject is a common one on this class of monuments, but is nowhere else so exquisitely treated. There is no allusion to the fact of death. It must commemorate some young Athenian cavalryman. It is characteristic that the relief ignores his death and represents him in a moment of victory.
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