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Updated: June 5, 2025
In the Kurze Untetweisung wie man beichten soll of 1519, of which this is a Latin re-elaboration, and, therefore, intended more for the educated man than as a popular presentation, he has advanced so far as to warn against the attempt to make an exhaustive enumeration of sins. He advises that the confession be made in the most general terms, covering sins both known and unknown.
Possessor of the Netherlands, of Franche Comté, of Spain, Charles already pressed France on its northern, eastern, and southern borders when the death of his grandfather Maximilian in the spring of 1519 added to his dominions the heritage of the House of Austria in Swabia and on the Danube. It did yet more for him in opening to him the Empire.
The duke, to whom the Pope refused to restore the cities of Modena and Reggio, therefore went to the court of Louis XII in November, 1518, for the purpose of interesting him in his affairs. In February, 1519, he returned to Ferrara, where he learned of the death of his brother-in-law, the Marchese Francesco Gonzaga, of Mantua, which occurred February 20th.
The commission was given to Luca by the Compagnia of S. Girolamo, on September 19, 1519, and the price was to be one hundred broad gold florins, to be shared by Messer Gamurrini and the Confraternity. In this picture it is in the intention rather than the execution that we shall find the vigour and strength which ended only with the painter's life.
This royal city within a city, known as the Hôtel St. Paul, covered together with the monastery and church of the Célestins, a vast space, now roughly bounded by the Rue St. Paul, the quai des Célestins and the Rue de Sully, the Rue de l'Arsenal and the Rue St. Antoine. Charles VII. was the last king who dwelt there; the buildings fell to ruin, and between 1519 and 1551 were gradually sold.
And perhaps if, as the poets tell, jealousy falls silent after death, fame will shine out the more brightly: although it ill becomes a Christian heart to be moved by human glory; may I have the glory of pleasing Christ! Farewell, my dearest Beatus. The rest you will learn from my letter to Capito. Louvain, 30 May 1519 Best greetings, most beloved brother in Christ.
Yet Sebastiano was not the only friend to whose idle gossip the great sculptor indulgently stooped. Lionardo, the saddle-maker, was even more offensive. He writes, for instance, upon New Year's Day, 1519, to say that the Resurrection of Lazarus, for which Michelangelo had contributed some portion of the design, was nearly finished, and adds: "Those who understand art rank it far above Raffaello.
As to the translation, an interesting point is that it is modified considerably from the translation which he had made in 1505-6, and is brought closer to the text of the Vulgate. In the second edition of the New Testament, March 1519, he explains in a preliminary apology that he had changed back in this way in 1516 from fear lest too great divergence from the Vulgate might give offence.
Two great rivals were on the thrones of France and Spain,—Francis I., who came to power in France in 1515, and Charles I., who became king of Spain in 1516. In 1519 they were rivals for the imperial power in Germany. Charles gained the German throne, being afterwards known as the emperor Charles V., and during the remainder of their reigns these rival monarchs were frequently at war.
Among the number of theologians who ranked next to Erasmus, the well-known John Oecolampadius, then a preacher at Augsburg, and almost of the same age as Luther, came forward in his support, towards the end of 1519, with a pamphlet directed against Eck.
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