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Updated: June 13, 2025
For in 1465 we find an order of council, prohibiting the growth of the shoe toe, to more than two inches, under the penalty of a dreadful curse from the priest, and, which was worse, the payment of twenty shillings to the king. This fashion, like every other, gave way to time, and in its stead, the rose began to bud upon the foot. Which under the house of Tudor, opened in great perfection.
On July 5, 1465, there was to be unbroken silence in all sacred edifices. Heers and his followers proclaimed that every priest who refused to chant should be thrown into the river. Mass was said under those unpeaceful and unspiritual conditions, and the presence of the French envoys gave new heart to the bishop's opponents.
Nor is he without a faint and simple beauty, which is altogether delightful in his pictures in the National Gallery, for instance the Nativity and the Baptism of our Lord. Here, in the Uffizi, are two portraits from his hand Count Federigo of Urbino, and his wife Battista Sforza , painted in 1465.
Besides being supreme head of the Church in the northern province, he was a great landowner. When he was in London he resided at his fine official palace, York House. The Archbishops were great lords of the realm in every way. Archbishop Neville, brother of Warwick "the king-maker," celebrated his installation in 1465 with a very famous feast.
We were greatly interested in the Archæological Museum, especially in the library, which contains 120,000 volumes, and some 10,000 valuable manuscripts, among which are many rare and beautifully illuminated literary treasures: Cicero's "Epist. ad Familiaries," the first book printed in Venice, 1465; a Florence "Homer," on vellum, 1483; Marco Polo's Will, 1323; a Herbary, painted by A. Amadi, 1415; Cardinal Guinani's Breviary, with Hemling's beautiful miniatures; and the manuscript of the "Divina Commedia," are only a sample of the treasures here contained, over which we could have lingered with great enjoyment for a far longer time than we could well spare.
These researches were skilfully directed by Mr Deville. Let us now enter the chapel of the Virgin, and admire the treasure which it contains. To the left on entering, is a monument of stone, without inscription or statue. It is that of Peter de Brezé, count of Maulevrier, grand senechal of Anjou, Poitou and Normandy. He was killed at the battle of Montlhery, the 16th july 1465.
In 1460, Giorgio returned to Sebenico, but in 1464 and 1465 was at Ragusa, where he helped in building the Torre Menze, and in restoring the palace of the Rectors. The next year he was at Pago, improving and enlarging the courtyard of the bishop's palace. It was the Bishop of Ossero, who thought he was going to obtain the removal of the see to Pago, but failed to do so.
The windows are traceried, and have above them figures of the four Evangelists, and ecclesiastical effigies stand as finials on two of the gables. A flood which in 1606 inundated the neighbourhood is said to have reached to the foot of the tower. St John's Church in High Street, built by Abbot Selwood in 1465, has, on the contrary, some pretensions to magnificence.
The second type is obviously the product of far more sophisticated influences. It is once again a copy of the Gita Govinda and was probably executed in about 1590 in or near Jaunpur in Eastern India. As early as 1465, a manuscript of the leading Jain scripture, the Kalpasutra, had been executed at Jaunpur for a wealthy merchant.
Extravagances, indeed, were not wanting gigantic animals from which a crowd of masked figures suddenly emerged, as at Siena in the year 1465, when at a public reception a ballet of twelve persons came out of a golden wolf; living table ornaments, not always, however, showing the tasteless exaggeration of the Burgundian Court and the like. Most of them showed some artistic or poetical feeling.
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